I know it’s very very rainy in England right now but cast your mind back… This dress, Simplicity 9327 caught my eye from the new collection on a very hot day. And it instantly made me think of cool breezy nights on a Mediterranean holiday break. Small problem for me, the UK release was slightly delayed by Covid… Good news for you it’s available to buy now!
So I set about making my own interpretation. I chose a beautiful coral and white striped seersucker from SewSewSew. One of my favourite dresses came from their fabric and Katie gets unique beautiful fabrics that you don’t see elsewhere.
I started with New Look 6587, one of my all time favourites that is now out of print. BUT the near identical Butterick 6674 dress has been released!!
I cut rectangles for the skirt front and back on the fold and gathered them up. But I kept the button placket on the bodice. It’s a loose fit design already but I let out the seams a little so the dress would definitely fit over my head unbuttoned.
Then I cut out my frills and managed to snip into one. That would have been fine if I had more fabric to play with but I ended up having to use the fabric saved for my skirt hem ruffle to cut 2 new frills on the crossgrain. The frill was taken from the Cocowawa Raspberry jumpsuit. It’s gathered to match the armhole and secured with a bias binding tape facing.
I normally avoid tiny stripes as they cause moiré when photographed at a distance. This is a visual effect where the pattern is so fine it becomes distorted to the eye in the final image, almost like its hazy or swirling. I managed to get some shots that weren’t too bad thank goodness.
The dress is unlined and overlocked at the seams. The neckline and armholes are finished with bias binding and the sweet pearlised buttons are from my stash.
Seersucker is great for summer. I think of it as linens superior sister because it’s just as cool in hot weather, it also has an interesting texture AND better than linen you don’t look like a wrinkled mess after wearing it all day.
I took these photos up near Cow and Calf in Ilkley, famous for a rock formation of a big rock (the cow) with a smaller rock nearby (her calf) but also famous for the Tour de Yorkshire race that tackled this steep and winding road. FYI this is a trip advisor photo. My photography skills aren’t this good.
Theres something magical about pink and red together. It shouldn’t work but it totally does. And there’s something magical about this jersey. It’s another fabric that we got for a work project (out next week) and I ended up buying my own, obsessed with it!! Its such good quality, it had to be done. I wore the top to the office on a particularly bloated and tired day and someone told me I looked great. That made me like the magical top even more. Funny how easy swayed I am!
The jersey is thick enough to sit smoothly on the body but light enough to still feel like a t-shirt, it’s also holding colour perfectly after a few washes and showing no signs of wear. It’s from Bloomsbury Square linked here and is nearly sold out. There’s a similar fabric here at Cornish Haberdashery and also here at Bobbins and Buttons! I’m pretty chuffed with my stripe matching and overlocking/top-stitching. As you can see below I always try and land my twin needle stitches just on the edge of the folded under seam allowance so it looks like a cover-stitched finish… until the day I can afford one. I also added to heat transfer patches to the chest I got from China because the colours match perfectly!
Back to the top! This is my fourth version of M7322 but first blogged. Sorry about that. But all four are striped and all matched at the side seams, sleeve seams and magically on some of the armhole. You can achieve armhole matching too if you use this pattern and an evenly stripe fabric. The armhole and sleeve are the perfect gradient/curve to ease the stripes together. Intrigued? Read on
On many patterns the sleeve head is aggressively shaped, curving at an incline that doesn’t match the gentle curve of the armhole. Does that make sense? But not this one.
First…. Use a stripe layout, matching the underarm points of the front and back bodice and sleeves with the same part of the stripe. Sew your bodices together and your sleeve seams, matching your stripes. You’ll ned to pin every stripe together if you want a flawless match. Now everything should start to come together ready to make the sleeves…
Turn both your sleeves and bodice WS out and mark the seam allowance at the armhole in air-erasable or water-soluble marker. You should be able to match the first few visible stripes on the front bodice above the sleeve seam as you see above.
In all your stripe matching here is a quick note, you’re not aligning the stripes RST, just matching points at the seam line if that makes sense. The stripes won’t always match in the seam allowance area. The goal is to cross perfectly at the seam line. Pin both horizontally and vertically then quickly tack stitch this area of the armhole by hand if you want guaranteed success.
Here’s a peek of the top out on a day trip to Salt’s Mill in Saltaire. This amazing historic town was custom built by the mill owner so his workers had somewhere to live. The area is now grade listed and the mill is the home to a David Hockney gallery and amazing cafe plus lots more. As well as the mill we like walking by the canal, stopping at the barge that sells ice cream and visiting the park! It’s a great day out. Ahhh how much I already miss summer!! Watch this space for a cheeky kitten top…
Hello everyone! This post is going up while I’m away in France. I thought a little blogging would keep me distracted in the run up to the wedding so I scheduled a few posts. I’m sure the wedding was [insert a phrase here]. Hehe just kidding. I won’t try and guess but I’m hoping it was sunny and merry and full of dancing.
This Art Gallery Fabrics organic canvas print was a stash points splurge from Village Haberdashery two years ago. Yes I’m afraid this dress has been finished quite a while. The print is quite large but very fun and the canvas is just on the cusp of being unmanageable for dressmaking with its weight and lack of drape. It’s from the Hello Ollie collection and is called Swanlings Bevy in colour “Nightfall”. There’s still some left here!
This is Vogue 1102. You thought I was done with this pattern? Well THINK AGAIN! I needed to find a style that would work with the canvas and the structured bodice was a great fit. The skirt is perhaps a little bulky but it flares out in a really pleasing way while being worn that I don’t care if it’s unflattering from another person’s viewpoint.
As you may remember I drafted a higher back bodice and this let’s me wear a bra (essential) but still keeps that glorious exposure at the back. That sounds a bit ruder than I intended doesn’t it! I think the finish at the top of the zipper is so neat given the bulky canvas used. Trimming the top of the zipper is key and not being afraid to trim a lot of the tape. I also lengthened the empire line so it sits at the waist which works better with the gathered skirt. I think this is my last un-blogged version of this dress now! Or should I say… for now!
I originally photographed this dress on the garden while I had my glorious perm. Look how happy I look even in this screen preview. Hair of my dreams!! Then when the perm was ruined, I fell out of love with the photos… So sad. Renata came to my rescue with a few snaps in the studio though.
Don’t worry about this being a scheduled post, I’d still love to hear your comments on the post or over on social media. I honestly don’t mind if people read the post here and go over to Instagram to send me a message because the conversation is still going, just in a different location! Chat to you soon xx