Hello everyone! Sorry it’s been a while since I posted. I know this blog is documenting my projects and there haven’t been many lately, but that doesn’t mean I haven’t missed it. I’ve been slowly getting back to normal and I’m excited to share a new make with you all.
This blog post is brought to you in partnership with Need Craft and Dannells! One of things I thought I’d try for the new house is a spot of lampshade making. Given my love of gin, bottle lamps seemed like the perfect choice. They sent me two 25cm Empire Shade kits to test in exchange for a review. The plan is to use them as bedside table lamps in a Palm Springs inspired bedroom.
I’m using Rock Rose bottles, one of which is a special edition from my Craft Gin Club subscription. They have a beautiful coral pattern on the pottery bottles. And I picked up my lamp fixtures from eBay. Dannells sell bottle lamp conversion kits but I had a hankering to have one with a mid-wire switch rather than a bulb level switch.
The kit includes everything you need apart from fabric. So I chose a Moda cotton called summer sweet sprinkle geranium from Empress Mills. This colourway is now sold out but there are some other cute shades. You can use pretty much any medium weight fabric which means you can match your curtains, use up old scraps or indulge in that luscious velvet you’ve been eyeing up.
Everything comes together incredibly quickly. You adhere the PVC backing to your fabric, then add double sided tape to your hoops before rolling your shade together and tucking away the ends neatly. There’s even a handy tool included to press the ends into place.
There’s a super helpful photo guide included with your kit. PLUS a handy video made by an old friend. And last but not least, this handy tip helped me get a super polished finish on the outside. To give a bit more height used 4″ shade carriers which prop your shade up higher, perfect to see more of my gin bottles!
They turned out so good. Jimi only gave them 9/10 but that’s because he said I didn’t choose fabric covered in my face. That would definitely be interesting… but I think these will go perfectly in the new room. Now I just need to move house! Once I’m in, I think I’ll make a few more shades. I’ve got a hankering to covering the inside as well as the outside. There’s always room for improvement right?
I know, I know, I could possibly be stuck in a dress rut… but I don’t care. New Look 6587 is fast becoming one of those dresses that never turns out badly and I can always imagine another one!
As you know I haven’t really been sewing lately but I did want a birthday dress. And what could be better than ANOTHER LEMON DRESS?!? So for year 36 I made another version of my classic 90s pattern New Look 6587.
It’s the perfect dress because it isn’t tight but has enough shape and structure so I don’t feel like I’m wearing a sack. I can eat plenty without feeling uncomfortable and it fits me regardless of my fluctuating weight.
It was a rather fun birthday weekend with an Italian 60s themed murder mystery and illusion spaghetti and meatballs chocolate cake on Friday, and then on Saturday a picnic in my favourite park in Ilkley! I managed to wear the dress on the morning of my birthday but by the time the picnic came around it was a bit too cold so I had to change out of it. But I wore it for a brief moment so it counts as a birthday dress!
This delightful fabric was picked up during my visit to Paris earlier this year. There are pineapples, lemons and strawberries on it as well as botanical leaves. It’s a half artistic and half cheesy but I LOVE IT! It’s a medium weight stretch cotton. Almost denim weight! But that makes it so well structured and perfect for this dress. Perhaps a little warm for the heatwave and a little cold for the weird snap in the weather! But who cares it’s cute and I wore it for a nice walk through the local fields to see how the foals were getting on.
I used navy bias around the neckline as a facing and added more of the plastic buttons from the navy lemons dress… I still have about 80 of them left. Those patch pockets are the greatest too. Perfect phone and key size for going on walks!
Like many of us, the Covid situation threw me through a loop for a long time. I was home all the time, working from the spare room, I didn’t get out of my pyjamas many days, and barely wore makeup. And crafting? That was non-existent. In a way I’d lost my sense of identity – I wasn’t wearing or making home sewn clothes. But things are slowly starting to get better. It started with house viewings! Yes I had to wear gloves and masks, not touch anything and keep away from the estate agent as a I moved around but I had a reason to get dressed and get out the house. Then I went to an arm knitting blanket workshop at Fabricate.
I’d already seen on social media how dedicated Philippa was being about safety and going to the shop didn’t disappoint; she had socially distant workbenches, it was a zero contact tutorial, hand sanitiser a-plenty and much more. It was liberating to get a taste of what life used to be like but with a new safety-first slant. This week I’m going for a beach side break in a private cottage to celebrate my wedding anniversary and I’m taking one of my prettiest dresses to wear for dinner.
This dress has it’s own story. At the beginning of the year I was contacted by Lindybop about doing a sponsored blog post. I received 3m of fabric and in exchange I was to write a guest blog post and do social media promotion when the dress was ready.
This stunning china blue porcelain print fabric features delicate florals on a spandex cotton base which they called crepe de chine. You can read my earlier comments on how it isn’t really ‘crepe de chine’ on my magpie dress blog post. But before I could write the blog post, Lindybop went into administration. They kindly messaged me and said to keep the fabric and wished me well.
It’s rather sad, but the dress turned out so nicely that I’d like to still share it, even though it’s bittersweet. I made the McCall’s 5969 from Love Sewing mag 65 last year, one of my favourite issues (now out of stock). By merging View D with its modest wrap bodice and long sleeves with View B’s full circle skirt and sash tie, this dress becomes delightfully vintage with the right fabric.
I shared my toile of the bodice on Instagram earlier in the year – thought you’d appreciate the flash of tummy above. A brief reminder of my measurements: 36″ A bust, 33″ waist, 45″ hips. I chose a size 10 in the upper body/bust/armholes, 12 waist and 14 waist/hips. I then slimmed the sleeve width down a little and ultimately, shortened their length. I also moved the bust darts slightly and added 2″ to the skirt hem.
I’m not risking any mishaps with this wrap… There are multiple press stud fasteners used to close the dress at each side seam and the neckline. The sash belt is then purely decorative. The mix of facings and my own use of bias binding for the skirt and sleeve hems feels complementary.
This feels luxurious to wear because of the fabric. Plus it feels well drafted, as that sleeve head is lovely and the bodice has just enough ease for everyday movement without looking saggy. PLUS the swish of the circle skirt is, of course, fabulous. But that means it is also fabric hungry, requiring me to use almost all of my 3m.
Wrap dresses used to make me so upset when I tried them on as everyone said they were universally flattering no matter your shape. But when I tried them on in shops all I saw was this lumpy figure with overemphasised stomach and hips, and no bust. Then I tried the Eve wrap dress with some success. But a wrap dress with a circle skirt? This is glorious for my body shape aka the human butternut squash.
It’s been getting a fair bit of wear this Spring/Summer. The weather comes and goes but paired with a cardigan it looks rather cute. This is how I wore it during Me Made May.
This dress was actually relegated to my wardrobe for the first year it was made. I made it too tight at the waist by taking it in too much and made the straps too wide. So earlier this year I dug it out, let out the seams and recut the straps.
The fabric is a fun stretch crepe with white tigers lounging all over it. I wouldn’t recommend stretch fabrics for button down clothes unless they’re loose but I’m a renegade so I don’t take my own advice. I got it from Dalston Mill Fabrics who have an online shop of secret treasures like this.
I use a loop turner to make straps and these made me scream bloody murder! In hindsight I should have move their position a little. For the covered buttons I love the contrast pop of yellow. They’re made in a similar weight yellow stretch crepe. I still have to make a dress from this crepe. Covered buttons are so polished and quite fun to make. I use a rubber tool to press the pieces together which you can see my tutorial for Love Sewing here.
As a friend of the Tilly team I was kindly gifted the paper pattern with no obligations to promote but I love the dress so why wouldn’t I share. I made a size 4 but it was a little roomy under the armpits so I tinkered with the side seams as I mentioned. This is the plain bodice view without the waistband and the midi skirt.
On single dart bodices I prefer them to be at the waist. I understand they couldn’t do that because of the tie front view. I could have moved the darts I suppose but pressed ahead regardless. The skirt is a great length if you don’t want to shave your legs properly and is lovely and swishy. Plus now it makes me think of of the show Tiger King.
Abstract prints like terrazzo or Matisse style cutouts are having a fantastic revival. They’re so bold and imperfect and interestingly can evoke different feelings depending on the colours mixed in. After spotting a dress on Pinterest I had been searching for a great abstract floral print and sewsewsew came to the rescue.
I needed a terrazzo that wasn’t on a pale or white base as that doesn’t suit my colouring so it was really exciting to find this beautiful Gabriella Peachskin on the website which comes in grey, red, mustard or navy. Katie has a great eye for fabric so I nearly got sidetracked 10 times looking at everything that is available. I chose the red background with white, grey, mustard and black pattern. It’s like terrazzo meets flowers which is wonderful.
Peachskin is that magic combination of drapey and opaque so it’s perfect for blouses, dresses and skirts. I really wanted to make another version of my self-drafted birthday dress which features grown on cap sleeves, a faux wrap bodice and gathered skirt. I learnt pattern drafting a few years ago and it’s lovely to have it in my back pocket when I want to sew something specific.
Multi-directional prints like this are really worth their price in my mind as they open up garment layplans to be much more efficient. Even though I was kindly gifted this fabric in exchange for a review I honestly believe at £4.50 a half metre it’s a great price and definitely recommend it. It would look great in a tiered hem skirt or Cielo from Closet Case Patterns.
Peachskin does have a tendency to fray so all my seams were overlocked and the necklines and sleeves were finished with bias binding. This was cut from the same fabric and stitched before turning to the inside as a facing. I installed a red invisible zipper in the centre back and added a nice deep 1” hem to the skirt.
I love invisible zippers but know they can be tricky for people. I find it best to baste the zipper in place by hand with needle and thread at the waistline. It only has to be a couple of inches to get the intersection aligned. And I absolutely swear by my invisible zipper foot for easy first time installation. My other tips include avoiding a high iron heat so you don’t scorch the fabric and start with a new fine machine needle to avoid snagging the fabric.
The dress is boxy and breezy, perfect for the recent hot weather but would easily work with tights in winter. Peachskin doesn’t crease easily so this style is a perfect partner for the fabric and I feel relatively smart no matter how long into the day I’ve been wearing it. The sheen of the fabric and scale of the print make it a joy to wear.