Hello all! As I write it’s a cold but bright Friday here in Yorkshire. I have plans to celebrate my anniversary this weekend (delayed since the summer, thanks Covid) and hosting a live stream sewalong on Instagram this Sunday for Simplicity. I’m making a S9240 sweatshirt live!! I need to ease myself back into live videos again! They were always so fun but moderately stressful. So let’s hope this one goes off without issues.
Now onto today’s make. Returning to a pattern sewn years ago can inspire you to do things differently the next time around. I have made Vogue 9000 before but always knew I would revisit it, as I love the grown-on sleeves and full panelled skirt. This design also features a flat collar and buttoned bodice that is finished with a front facing and a strip of bias binding at the back neckline. The dress also fastens with an underarm side seam zipper for a neat fit.
When I first made the dress in 2016 I sewed it in a luscious red John Kaldor microfibre. It was medium weight, glossy and a little stretchy (like cotton sateen) with the drape of polyester. I rounded off the corners of the contrast black collar and used black self-covered buttons on the front fastenings. It was a beautiful formal dress I wore to several events including a Christmas dinner dance.
For my latest version I wanted to use an Ecovera viscose – a sustainable method of producing viscose that follows stringent guidelines to ensure eco-responsibility. The viscose was from Rainbow Fabrics in London who specialise in deadstock and overstock fabric from fashion houses which is a nice way to avoid waste and make your sewing more sustainable. In this pretty, confetti-heart print, the dress is lighter weight and easier to wear than the John Kaldor version which is just what I hoped. I can wear it in Summer with sandals, and Winter with brogues and tights.
Once again, I decided to round off the collar points but this time also extend the collar so it finished right at the front edges. This was due to the fact I would very rarely wear the neckline fully buttoned. Also the notch where the collar meets the facing isn’t very pronounced if worn open. A seamless transition into the collar seemed to be worth pursuing. It reminds me of a sporty polo collar now. I’m pretty pleased with the finished look.
Choosing viscose for this pattern does introduce a few more considerations. I didn’t line the dress so I’ll wear a slip underneath when wearing tights. A sharp fine needle and pins are vital to avoid snagging the fabric, and a dab of fray check on the button holes provides extra security. The most important thing to remember is to allow your skirt hem to drop for at least 24hours after attaching to the bodice. As it is a full skirt, there are areas on the bias that will naturally stretch out. Once the fabric has dropped you can then recut the hem so that it is level before finishing. I use a vintage Newey chalk hem marker that allows you to puff a line of chalk at a set height as you rotate in your garment.
I wholeheartedly recommend Vogue 9000. The panelled skirt is great for narrow fabrics while still achieving a flowing full skirt. I love the double darts in the back for even shaping, and like how the front bodice darts extend into the skirt panel seams. It’s a beautiful vintage pattern where you can create a dress that is a true reproduction of the era, or add a modern spin on the silhouette with an updated fabric choice.
Happy October everyone! It’s spooky season right? I’m already planning what pumpkin design to try this year after my super successful painted pumpkin with sewing theme illustrations.
Now onto what I’ve been making! Here is my new M7969 dress which you can buy here. When I finished my previous red and pink M7969 I knew I needed more of this pattern. I then very soon after picked up this gorgeous floral viscose from Rainbow Fabrics.
The falling blooms in orange and blush on the black base make me think of Autumn and even though I try to avoid wearing black, I knew it had to come home with me. All their fabric is deadstock or overstock from fashion houses and suppliers in London so you have to buy quickly if you like something. I’m glad I did as it’s now sold out, but take a look to see if you fall in love with another print.
For my second version of the dress I chose to try longer sleeves. I used view B again but cut the sleeve just below elbow length. I should have probably gone another couple of inches longer in hindsight but I’m pretty happy with this. I can wear a cardigan over the top easily but also show a little bit of skin when I choose. With oversized dresses like this I think they suit me best when you can see my arms OR I cut to knee length.
The dress goes together so smoothly and with the multi directional print I could easily get the dress out of 2metres of fabric. It’s definitely softer and swishier than the polyester crepe version which I like so you can see why the primary recommended fabric is challis. For me, using the double row of gathering stitches to draw in fabric has never seen me wrong so I’ve done that at the sleeve heads and waist.
As before this is a size M with no other size alterations. For the elastic cuffs I made a small single folded 1cm hem which was stitched 80% of the way around with a gap left to feed my elastic into place. This teeny channel required adding a safety pin to the end of my elastic to help feed it through. I normally like to use my bodkin for elastic channels but it was too tight for that.
I already wore it out twice. Once to dinner with my new colleagues! Sue who is the General Manager of Simplicity, Jackie who leads the Customer Service team and Marilyn who manages the Sew Today digital subscriptions. We went to a lovely new restaurant in Altrincham. Then I enjoyed wearing it so much, I wore it over to dinner at my in-laws house! So what I’ve determined is it’s great for wearing to dinner. It’s dressy enough to feel fancy but loose enough to sit comfortably while I stuff my face. WINNER.
Well well, I feel like the last person on the planet to jump onto the love train for M7969 but now it’s all aboard and full steam ahead! TOOT TOOT! Months after it was released, this pattern couldn’t escape my attention any longer. It has a lovely surplice neckline and swishy skirt. And although I don’t wear oversized sleeves like the pattern views, I had seen the lovely Kathy of Sew Dainty make a puff sleeve variation that I could pull off.
Looking at the finished bust measurements on the tissue I decided on size M. That’s a 39.5″ at the finished bust so roomy without being too baggy. I did my favourite tape measure trick to check where you make a loop the same size as the finished measurement and dance around in it to see how the finished dress would feel. Then I made a toile because I wanted to see how much gathering was included at the sleeve head and whether I’d need to add more coverage to the centre front V neckline. I didn’t bother adding the skirt to the toile as I knew how that would fit. I also like to use a longer stitch length on my toiles to speed up the sewing and incase I need to rip out any seams quickly.
Everything was good to move ahead so I chose one of my most prized fabrics. Not because it was too expensive but because I love the mix of pink and red, and it sold out so quickly I have no chance of getting more. It’s a stretch polyester crepe, and has good body plus drape and is totally opaque – everything I look for in a fabric! It’s such a beginner friendly pattern without any fastening and forgiving on fit. They just need to master the art of gathering, because there’s lots to try. Plus the binding at the neckline is a nice technique for beginners. As I’m not a beginner I flew through this in an evening. I was home alone, had a delicious dinner and sewed all evening while watching tv in the background… heaven.
Chain sewing the pieces made it even quicker. This is where you batch prepare your pieces and you pin every seam or dart etc that can be pinned at that stage. For this dress that meant side seams, sleeve seams and skirt side seams. Then I overlocked everything and pressed open before moving onto the next set of seams. If a seam relies on a previous seam being sewn you obviously can’t include it in the same batch but it does speed things up AND save thread because you sew each prepared piece, backstitching at the start and end as normal BUT you don’t lift the foot and clip the threads. You just move your piece out from under the foot and move a new piece in place. The thread tails between each piece are much shorter saving thread. Plus by not stopping to clip threads until the end you save time.
For the puffed sleeves I cut piece 5 at the shorten/lengthen line and hemmed with a 1.5cm hem. Then I sewed a line of stitching with elastic in my bobbin 2cm up from the hem edge. This gathered the sleeve into a pleasing puff shape. You wind the elastic on the bobbin by hand so you can maintain a gentle tension, but still keeping the thread close to the bobbin core. I could have added two rows of stitching but one felt enough. My top tip for bobbin elastic is to hover your iron over the stitching line and press to release steam. This gathers the elastic up a little tighter, perfect if you’re doing rows of shirring.
This dress makes me so happy. I can’t wait to wear it out and about soon. I think it’ll go really nicely with tights in Autumn and winter, and the colour will keep me smiling all year round! I made a video of tips for this dress you can see on the Simplicity McCall’s UK Instagram as well as a video round up of some amazing versions from the sewing community! There are a whopping 3k shared using the hashtag at time of writing. Now I know why…
Happy bank holiday weekend everyone! I’ve just finished photographing a new dress and I’m really hoping the weather stays nice enough for me to wear it out and about this weekend. This is Butterick 6758 from the latest summer collection. It’s a really nice day dress pattern with drawstring waist and grown-on sleeves (aka drafted to be attached to the bodice), plus the option for a hem ruffle! I chose to make view A but without the sleeve bands. And I changed the drawstring to a waist belt.
The dress turned out so great. Easy to wear and fit, plus it will transition from summer to winter easily! I sewed it over the course of a few evenings, taking my time with it so I could slow down and enjoy the process.
My fabric is from Rainbow Fabrics, an online seller of deadstock fabric. This means the fabric is limited quantities, ie left over from ready to wear lines or excess stock from fabric wholesalers and once it’s gone it’s gone… which is the case for this print I’m afraid. It was labelled Ecovera viscose and they do have this same fabric base in other prints so maybe take a look. It’s unusual as a viscose as it has a crepe like texture with that familiar bubbled pebbly surface. I think it works perfectly for this dress as it has enough drape to gather nicely but still feels substantial to wear.
I love grown-on sleeves on me. Not because I don’t enjoy sewing sleeves, that’s not it. I just have very narrow shoulders and I love how grown-on sleeves broaden my top and balance everything out. Plus, when slightly oversized like this they look and feel super breezy! The trick with grown-on sleeves though is to recognise how the seam will fall down your arm, you’re asking a straight line to curve over your shoulder and down the arm so you will naturally get a small curve at the very end if using a soft fabric as it bounces up at the hem. A slightly stiffer fabric will hold itself away from your arm but you might not like that look. One trick that helps is to snip into the seam allowance from the shoulder point downwards every 2cm or so this helps the seam allowance lie flatter along the arm. But this shouldn’t be tried on a fabric that frays very easily.
I use a similar technique on the underarm of a grown-on sleeve, I snip into the seam allowance of the curve in a couple of places and then overlock the side seam allowances together letting the snips stay slightly open as I go over the fabric. Alternatively you can trim quite close so there is minimal seam allowance pulling on the curve.
I’m wearing my dress with red converse right now but I can easily see it with tights and a cardigan in colder weather. I made a size 14 and graded out the hips to add another 1″ at the side seams. To share this evenly I divided by 2 so I knew how much to add to the front and the back. Then divided by 2 again to work out how much needed adding to each side seam. So by adding a 1/4″ to the front and back side seam on my tissue pieces this added up to 1″ in total. Have you made this dress? Or are tempted to make it now? Please let me know in the comments!
I must confess I did a double take when I saw this fabric go on sale in Hobbycraft. Not because it’s from Joules. I mean it’s definitely exciting that they have released a sample fabric collection of cotton prints. But because I own a handbag in this exact fabric design! I loved that bag, it came with me on many adventures and I always loved the hot pink colours. And given the bag has seen better days, it felt right to pick up some of the fabric for a dress.
This is the Bircham bloom print, and the collection is exclusively available at Hobbycraft. You’ll see they’ve just listed the second collection of Christmas/festive themed fabric called “Sew Ho Ho”! I’m very tempted to make myself a Christmas dress or pjs out of the 12 days of Christmas print, or the foraged floral. But for now, back to this dress… one of my coping mechanisms for the pandemic was comfort eating, which was great except it meant many of my me-made clothes don’t fit any longer, and all my patterns are traced/cut in the wrong sizes.
So I pulled out a favourite silhouette and got to work. Butterick 5748 is an early 60s vintage reissue pattern which perfectly spans that late 50s into early 60s aesthetic of close fitting bodice and big skirt. There are neckline cutouts to practice, charming bows to attach and a lined bodice to boost your skills. For me, I love the clean silhouette without any of the cutouts or details for a timeless work dress. I ended up going up one size at the bust and two sizes at the waist.
You’ll see I switched out the side zip for a centre back lapped zipper. And the circle skirt for a gathered rectangle. What you can’t see is I actually lined the whole dress with pink habotai lining so I can wear it in winter with tights. I’m pretty pleased with my print placement as I didn’t have a lot of fabric to work with. It’s on sale in a 2m cut piece so I had to cut out the front bodice on the single layer to get the best placement and then place the other pattern pieces around that, without cutting the print too badly around the zipper area.
So there you have it! This was a quick fix to my wardrobe issues and a way to use a beautiful print at the same time. I still have quite a few gaps in my wardrobe to fill and am determined to fit back into some of my absolute favourite makes, but one step at a time!