It’s quite thrilling to be one of the first people to review a pattern. When you search for hashtag inspiration and get photos of planes instead of patterns, you know you’re going to be one of the first haha.
New Look 6707 is a sweet v-neck blouse that has an optional oversized ruffle collar and puff sleeves finished with a hem band. It was only recently released and taps into that trend of statement collars we can’t seem to escape right now.
I really liked the pattern but was scared whether the collar would be too big for my narrow shoulders. I thought the only way to know for sure would be to sew up a wearable toile. I chose a polycotton gingham that I had in my stash from Minerva. It was originally for a sweet 50s dress but I decided I wanted a smaller print for that project.
The collar involves a fair bit of gathering to make that ruffle but it’s so sweet when finished. I cut my collar as the pattern recommended with a straight grain line arrow position. This means the front ends up on the bias of the gingham creating an eye-catching effect.
For the sleeves I already knew I couldn’t pull off the pleated sleeve caps. I tried that with my unfinished Sasha McCall’s dress which, yep you’ve guessed it, I didn’t finish for that reason. So on the tissue I folded out the pleats for a smooth sleeve cap while keeping the volume in the lower part of the sleeve. These sleeves remind me of the 70s McCall’s blouse I made recently.
Even with a wearable toile I couldn’t resist ensuring a good pattern match. But I think the fabric isn’t right for this design on me. It’s too sugary sweet for my liking and again, the print is too big. I’m going to make it again with a little more length in the body and a plain fabric or less oversized print.
I’ll probably still wear this during summer don’t get me wrong! Have you been tempted by this pattern?
Happy Weekend everyone! It’s sunny here in Yorkshire and my mood is instantly boosted like a terrible British cliche. BUT I DON’T CARE… I’ve missed sunshine too much. Now onto sewing. I finally photographed three makes this week now my awful ear issues are finally gone.
This is Butterick 6676 which has three styles of dress, but the envelope only shows two. There are two styles of skirt plus different waist finishes to choose from. I went rogue and made view B without any side tabs. So a clean simple dress to really let the fabric shine. See all the line art at sewdirect.com.
My copy of the pattern is from Love Sewing 104 which has all sizes in one envelope (6-22) plus it has a second pattern for £9.99. And you can get 20% off your first order through craftstash – BARGAIN. Plus you’ll get to read my monthly column if you pick up the issue which I hope you like!
My fabric is the absolute star of the show. It’s a Lady McElroy called Wild Goose Chase and is a beautiful cotton lawn. I received this as payment for a previous collaboration with Lady McElroy. I LOVED the name as much as the colour and print of the fabric by the way. God I love puns and witty names and this tickled me. There are other colourways available too by the way. I decided a simple silhouette would be best and wanted to make sure the insides of the dress were lovely too.
I made a petite bodice adjustment using the lengthen shorten line. Then cut a 6 in the upper bodice grading out to a 14 in the waist and a 16 in the hips. I have extremely narrow shoulders FYI. Because I bought the Love Sewing magazine that had this pattern with all sizes in one envelope I could get up to a size 16. The standard pattern lower size pack stops at 14.
I started by deciding to omit the centre back zipper and seam on B6676. I cut the pieces on the fold and moved the zipper to the side seam. This meant I needed to create some method of getting the dress over my head. I loved the centre front keyhole/slit of view B but decided to add it as a keyhole to the back neckline and add a button loop so redrafted the back facing pattern piece to have the keyhole extension.
The pattern isn’t lined but as cotton lawn is prone to wrinkling I wanted to add a lining to minimise this. I realised I’d have to create a underlining/lining hybrid. The skirt was easy. Then I created a lining version of the bodice and placed it WST with the bodice and basted around the neckline and armholes. Then I installed the neckline facing and armhole binding on top. But at the waist and zipper opening I then treated this as a true lining, enclosing the zipper tape and waist seam, then slip-stitching in place.
Because I had some fabric left over I made the belt. I’ve made belts before and it’s quite a fun process. My favourites are when I’ve found vintage belt kits which have the proper belting material and the special glue to cover the buckle in coordinating fabric. This time I had to make do with a buckle from my stash but it’s pretty cute. It ended up a little longer than I planned so I need to make a belt loop for the belt (as opposed to ones sewn on the dress).
I use the stiffest interfacing I can find and make a four fold strip – meaning the seam allowances are as wide as the belt for the thickest most stable finish. I have a big tin of eyelets in lots of colours and different metals, and chose silver to match the buckle. You make a small cut and then use pliers to install an eyelet in under 5 seconds. For the other end you create a buttonhole around 3-3″ from the end and feed the buckle prong into it, then fold back the fabric on itself and sew together to secure.
It’s a really sweet dress and I enjoy a bit of hand sewing every now and then. Think this one was finished while watching Cheer season 2 on Netflix. I’m going to wear it out soon as I feel great in it. It’s got that lovely, floaty style of A-line skirt that skims over your stomach area and a busy fabric that stops you noticing a full tummy. The bust fits great and I’m going to wear it with cardigans with it until summer comes around!
Happy 2022 everyone! I’m kicking off the year by sharing a dress I actually finished last August. It’s a little ridiculous how long things wait before I photograph them properly. When I shared a sneak peek on Instagram it was very popular so hopefully you still like it now it’s finished. I’m pretty taken with it, except for one thing which I’ll cover in a moment.
I used the Marina Dress from McCall’s aka M8090 which is available in sizes 4-22 (46″ hip). This dress came with Love Sewing 95 where is how I recommend you buying it as it’s £9.99 for three sewing patterns. As per my previous version I adapted the bodice and skirt panel lengths. Marina is drop waist so I took 9cm off the bodice and added it to the top skirt panels. Next I removed the square yoke by folding out the gathering at the centre front and taping the yoke piece directly on top of the bodice piece. Here’s what that looked like.
On my previous version I also adapted the sleeve into a raglan but I decided to keep the standard rounded sleeve for this dress. As I made the dress in August, I went for a sleeveless finish but honestly regretted it. That’s the major thing I referred to at the start of this post. And there is a sleeveless view for the pattern but I think a smaller armhole would be more flattering on me if going sleeveless. I have enough fabric left over to cut some sleeves so will add a 3/4 sleeve with an elastic cuff.
Another thing that didn’t go quite to plan is the neckline where I decided to omit the collar stand. I wanted a nice flat open neckline which I got by drafting a neckline facing on the inside, instead. It’s not enough to support the placket opening even with an interfaced placket, so the fabric sags. Not unwearable but not as smart and neat as the original pattern. While I’m going to add sleeves, I’m not going to add a collar retrospectively.
Fit wise I didn’t change anything from my first version which was size S (8-10). The waistline droop I mentioned in my previous post turned out to be caused by my raglan sleeve alterations so I still need to curve the waist cutting line on those pattern pieces but not the regular sleeve version.
Let’s talk about this stunning fabric! It’s an ecovera viscose crepe from Rainbow Fabrics. It’s definitely a bubbly crepe weave but has the shine of a crepe de chine. It’s gorgeous with the perfect drape and opacity! It’s a deadstock fabric from the brand Nobody’s Child and they seem to get fabric from them quite regularly so I always keep my eyes peeled for more of this type.
For instance McCall’s 7974 would be perfect for this dress if I can get the Nobody’s Child lemon fabric!
OK! If you saw that blog post title and are getting worried just keep reading! When we were planning our new ensuite I fell in love with some floral hexie tiles I’d seen on a few home accounts including the mid-century modern kitchen of Amanda aka Modern June Cleaver.
Long story short, I got the floor I wanted but had to create the tile sheets myself. Hours of finger numbing work. It was all worth it though!
Flash forward and I’m happily shopping at Rainbow Fabrics when I spot this gorgeous floral print. It reminds me of the Marc Jacobs daisy and Kate Spade prints. And most importantly it reminded me of my lovely tiled floor!! The flowers are a soft beige and the fabric base is a poly challis.
As you can see I also cut the front bodice on the fold and rounded the neckline. I still finished the neckline with bias binding but skipped the interfacing since that is included to stop the neckline stretching out on the v neck.
This is size M again but with 1cm taken out of each side seam. Given the slightly stiff fabric I thought it looked better slightly slimmed at the sides.
It’s fantastic how quickly this dress comes together. Especially when you round off the front! I made it in a few hours while at a sewing retreat with friends.
It’s a cute, eas- to-wear dress though the puff sleeves make it difficult to wear a cardigan on top. I still love it though! I’ll probably put this pattern to one side for now but sure I’ll return to it next year.
Hello hello! I’m in a very good mood today as Issue 101 of Love Sewing is on sale, and I’m in it! As former Love Sewing Editor it’s was so nice to be back in the pages of the magazine, to share a review for this lovely dress. My new column as Simplicity Brand Ambassador also begins in issue 101 so it’s two lots of Amy for the price of one this month! Butterick 6705 is one of the pattern gifts for the issue, provided in the full range of sizes. You can pick up a copy of the magazine at all good supermarkets or online at craftstash.co.uk
For my version of B6705 – this is view A but with a couple of small changes. I used the sleeve construction from view B but cut to mid-arm. And I used the skirt length of view C. Mixing and matching pattern elements is such a satisfying way to get the exact dress you like. Like many of us, I overindulged during lockdown and had the fear that an empire line dress might highlight my midriff weight gain but to my delight, this beautiful skirt skims over my lower half and flares out. It somehow also makes me feel much taller than I am. I was also inspired by the version by Dei in animal print who makes such elegant clothes.
Fitting wise my Bust Waist and Hip measurements are 36A : 33 : 45 so I made a size 12 in the upper body and graded from a 12 at the waist to 14 at the hip. I’m quite petite in my upper body with very narrow shoulders so I lowered the neckline by 2cm so it sat in the right place, and as I found the two-piece sleeves slightly too large, I removed 2cm along the overarm seam.
The under bust construction forms a beautiful v shaped seam. My top tip is to pin each side individually and start sewing from the centre point out to the sides on each part of the seam. I’m also pleased to report you can customise the length of your keyhole so if you don’t want to reveal too much you can sew it a little further than the pattern notch. The front neckline is wrapped in visible binding and closes with a hook and eye fastener but you could choose to sew it closed with a continuous piece of binding or add a button loop.
This beautiful green and black floral is a deadstock viscose challis from rainbowfabrics.co.uk, who specialise in excess stock from fashion houses. But with great prices and limited quantities you have to act quick when shopping the website! With viscose challis being prone to stretching, it’s important to let your curved hem hang for 24 hours to allow for any drop in the fabric and then recut so it is level. Plus to aid my invisible zipper, I added a thin strip of interfacing to support the centre back seam during construction and wear to avoid the fabric stretching out in this important area. I’m making a video about getting a perfect match across a waist seam when using an invisible zipper that will go live soon.
My dress makes me feel like a James Bond femme fatale (who watched the latest movie?? MY GOSH). And at the same time, a model from fashion line Vampire’s Wife (whose dresses suit the name entirely). And though I can’t pull off a dreamy faraway stare, I feel very elegant in it.