Hello everyone! I’m keeping up my run of weekly blog posts and it feels so good! Today I’m sharing a dress that I cooked up by mashing a few things together. It’s the perfect 50s style swishy midi dress that makes me feel like Audrey Hepburn in Roman Holiday. I could easily swish around on a Greek island too if needed. Anyone offering a mini break?
So are you curious about my superhack? I started with the Elisalex dress bodice which I’ve made twice before but skipped the sleeves this time. I’m wearing the size 10 with a little bit of excess taken out of the shoulders. Then used Vogue 9000 which I’ve made here, and merged the skirt panels into a front and back rather than seven piece skirt. I’m wearing the size 14 waist and hip. I then adjusted the side seams and centre back edges slightly to make sure they’d match up and chopped an inch off the length.
I’m so happy with the result as it’s modest with the neckline and length, but a little cheeky with the dipped back, AND the skirt has fantastic swish! Seriously good swish. Which is mostly down to the fabric I chose but important to say that being flared rather than circle, there’s limited chance of the skirt blowing up and flashing everyone on a windy day. Result! My invisible zipper went in like a dream (I love my invisible zipper foot to death – if you don’t have one, go get one) and the waist matches nicely! I handsewed the lining to the inside for a change as I normally stitch in the ditch but had some telly to watch while I did it.
I really like wearing dark colours in hot weather as I am always cold and this is a guaranteed way to warm up, but also I think black looks great with a tan. This is of course one of Lisa Comfort’s gorgeous fabric prints. I was very tempted by the first collection which features pastel colours and soft florals. I love Elderflower and the pink colourway would have been perfect for me but I resisted as I hate hate hate ironing and need to limit the amount of cotton dresses I make before I go insane over the wrinkles.
When the crepe collection was released I snapped up the Wild Flower print in black. At 150cm-wide it’s perfectly designed to fit a flared skirt like this without needing to cut on the cross grain but at midi length the pieces are fabric hungry. However the princess seam bodice of the Elisalex dress is a great space saver on a fabric layout. I lined the bodice in black habotai to help as well. In the end I got this dress out of just 1.5m of fabric! SO EFFICIENT!
The poly crepe barely wrinkles, floats like a dream and is totally opaque. Big points for my lifestyle! I’m only slightly bummed that there is a permanent crease in the centre front of the skirt from where the fabric was folded in half before being put on the bolt. I don’t know if this is just my piece, or just the bolt. It could be how the fabric was pressed during transit after printing. I don’t know… but every time I look down I try not to look at the crease line. BUT to end on a more positive note, I can totally recommend the fabric quality, the Elisalex pattern for how well drafted it is and Vogue 9000 as the perfect half shirtdress (eyes peeled for my newest version of this dress in one of the prettiest viscose prints I’ve ever found).
*Just to let you know this post contains affiliate links but products I link are from trusted sellers like The McCall Pattern Co selling through Amazon or Minerva Crafts. There’s no obligation to buy through the link of course. I don’t advertise on my blog so this is a little way to fund the running of the site!
A fresh faced sewing enthusiast called Amy made her first version of Vogue 8469 back in 2013 and said, “oh yes this is lovely I better make it again”. She used £1 a metre polyester she found in Leeds Market and wore it to one of her first sewing meet-ups in London – the epic V&A event.
Flash forward to 2016! The new version is again made out of £1 a metre polyester, but this time from Birmingham Rag market. This amazingly versatile dress has lived in the back of my wardrobe only occaisonally getting worn because I slightly messed up the gathers on one side of the bust, and my zipper installation wasn’t very neat. What I discovered during Me Made May this year, is that it really doesn’t matter! You can’t see either of those things when I wear the dress so I should blumming well get it out the cupboard more often.
This dress is great if you’re a large or small busted lady in comparison to your waist and hip size as you can adjust for your bust easily; simply slash and then add or subtract the space you need and then draw the fabric under the bust neatly.
The skirt is more tulip shaped than you might think, a change from my super flared skirts. It’s still gathered making it easy to fit through the hip. The bodice, waistband and sleeves are lined and I used my trusty tutorial for clean finishing the sleeves into the lining. I skipped the sleeve elastic again as you can see.
The centre sewn zip is what we all learn early on, stitched down each side to secure the zip and create a little flap to cover each side… but this is the hardest zip to achieve a neat finish for me. The zipper always peeps through and the sides aren’t even! The supposedly harder invisible and lapped zippers are much nicer in my book. Am I wrong?
I wear this dress with the bow tied at the front most days but occasionally swing it to the back. It’s a great number to wear with red lipstick and dangly earrings for dinner out, or ballet flats and curly hair for a vintage day look.
It was great to teach myself, just because you messed something up doesn’t mean you can’t still love it. The annoying perfectionist in me shuts up while I wear this so that’s a win right?!
Hello everyone. It’s a new year, hooray! It’s also the year I get married. Double hooray!! Project Wedding Dress is about to commence. I have £370 in my budget, I’ve ordered most of my fabrics, notions and extra bits and pieces. It’s time to get serious! First up is sewing my corselette. I’m winging it using a number of online tutorials and books on the subject. Wish me luck please. And let’s see if I can come in on budget! If you have any good links to bridal or occasion sewing, corselette or corset sewing or generally couture techniques please link them. I’ve got a good collection of books and found a few blog posts but am very eager to hear more. It isn’t possible to overwhelm me people.
PLEASE INNUNDATE ME. I’m going to collate everything I’ve found into a super online document so no future DIY bride will struggle to find resources.
Ahem, in other news I have a fun top to share. I hope you like it.
So I’m in love. There I said it. I’m in love with this top. It makes me feel so wonderful everytime I wear it. The colours are just so epic. They’re the perfect shade and saturation to stand out from across the room. That’s obviously helped by the scale of the print and yes, those frilly little ruffles. It goes perfectly with my ochre cardigan and blue jeans.
This is the Sewaholic Pendrell top which I can’t remember buying but must have because I have the PDF. (There’s a lot of PDFs like that on my computer). It’s got princess seams which mean a great fit and the option to add different styles of frills (or you can leave them off if you prefer). It’s easy to overlock the entire inside for a neat finish and it’s a SUPER QUICK sew.
I made view B with ruffles set into the princess seams and regular cap sleeves. You gather everything up to match the notches and then set the frill into the seams and encase the sleeve with bias tape. The length was a little crazy on me and even after chopping off 5cm I still might lose a little more. At 5ft5 I like to be able to see some hint of hips when I wear a top to establish my proportions. You can see my “human butternut squash” body type here in full glory. Why did Triny and Suzannah never include that one in their tv show!? I used bias tape made from excess fabric to finish the edges and it throws on over my head without a keyhole loop. A tiny needle made sure there were no pulls in my fabric.
This polyester fabric was astoundingly cheap; If I remember rightly it was £1 per metre. I bought it on a shopping trip to Birmingham from one of the stalls outside the rag market and I’m happy to report Marie and Roisin bought some too. You can see more of Marie’s gorgeous kimono here.
There’s only one problem with this top and it’s my own fault. The ruffle on my left shoulder has one wonky area of gathering that makes the ruffle stand up. And no amount of pressing will keep it down! On the above picture it’s even peeking out from behind my hair for cripes sake. With the raw edges overlocked inside, I haven’t had the motivation since I made this to unpick and adjust the way the gather falls and don’t know if I ever will. It’s a problem, but one I’m happy to live with.
Now it’s time I shut up and do the I LOVE MY TOP DANCE! (Yep I’m that big of a nerd and it’s been captured on photo.) Bye for now.
Looking for more inspiration? See Fiona’s gorgeous sleeveless version here. And Shannon made a version in jersey! Here’s Sil’s version with step by step pics incase you’re curious how the ruffle comes together.
Hello everyone! Sorry for my absence. It’s been excruciating because I’ve got about 15 things ready to blog but don’t have any pictures!! I’m going to attempt taking some myself this weekend while Jimi is away, but the last time that happened I forgot to smile heehee.
So to solve this problem I found some pics of my jeans that show off my Sophia tee.
For those of you who haven’t seen Love Sewing issue 19, we included a paper pattern for a long pleated waist skirt and simple dartless top. Separates are pretty on trend and a nice alternative to a dress. Plus both pieces make excellent staples. I can’t wait to make a knee length version of the skirt and many more Sophia tees.
The mag explains how to hack the top into tee length. Essentially you just extend the front and back around 5 or 6 inches along the fold line and side seam and the draw the new hem at a right angle to the centre front and back.
I used a zigzag polyester from the Abakhan remnant bin. God I love that place. I think it was £2. It’s surprisingly not that sheer, but I generally wear a little tank top underneath to avoid any hint of static.
The length is probably 2 or 3cm too short for my liking but I wanted to try and make a top that sat above the bottom of my Jean pockets. It’s exactly that but turns out I do prefer the added length.
So there you go! I’ll be making loooooads of these because they are insanely quick to make. And I want to swap out the facings for coordinating bias binding.
If you want to pick up issue 19, head out to shops quick as it goes offsale on November 5th! Though it will still be available to buy online.
Still working through my blogging backlog so today’s post shows me with shorter hair! I can’t believe how much it’s grown so maybe I should get it recut!
This is a Tilly and The Buttons Mathilde with 3/4 sleeves similar to my ikat version. I used a crown and queen print polyester from Abakhan in Manchester and floral white buttons from my stash.
It’s very thin and can really hold a crease – so it’s nice to wear in this sticky weather and the pleats sewed up easily.
I’m not really a royalist. I don’t have strong opinions either way about the monarchy and royal family. Part of me worries about how much support we extend to a very large family to provide a better quality of life than most people could even dream of. The other part of me feels that they’re a vital part of my country’s success and intrinsically tied to my perception of British culture.
I know there are people I am close to who fall on different sides of the argument and I don’t think me wearing a queen print top should rattle anyone, but it did make me pause for a second before buying the fabric; “does this say something about me politically?”
I guess the same way I wonder if buying polyester says something about me.
Deep thoughts for a simple top I suppose.