Like many of us, the Covid situation threw me through a loop for a long time. I was home all the time, working from the spare room, I didn’t get out of my pyjamas many days, and barely wore makeup. And crafting? That was non-existent. In a way I’d lost my sense of identity – I wasn’t wearing or making home sewn clothes. But things are slowly starting to get better. It started with house viewings! Yes I had to wear gloves and masks, not touch anything and keep away from the estate agent as a I moved around but I had a reason to get dressed and get out the house. Then I went to an arm knitting blanket workshop at Fabricate.
I’d already seen on social media how dedicated Philippa was being about safety and going to the shop didn’t disappoint; she had socially distant workbenches, it was a zero contact tutorial, hand sanitiser a-plenty and much more. It was liberating to get a taste of what life used to be like but with a new safety-first slant. This week I’m going for a beach side break in a private cottage to celebrate my wedding anniversary and I’m taking one of my prettiest dresses to wear for dinner.
This dress has it’s own story. At the beginning of the year I was contacted by Lindybop about doing a sponsored blog post. I received 3m of fabric and in exchange I was to write a guest blog post and do social media promotion when the dress was ready.
This stunning china blue porcelain print fabric features delicate florals on a spandex cotton base which they called crepe de chine. You can read my earlier comments on how it isn’t really ‘crepe de chine’ on my magpie dress blog post. But before I could write the blog post, Lindybop went into administration. They kindly messaged me and said to keep the fabric and wished me well.
It’s rather sad, but the dress turned out so nicely that I’d like to still share it, even though it’s bittersweet. I made the McCall’s 5969 from Love Sewing mag 65 last year, one of my favourite issues (now out of stock). By merging View D with its modest wrap bodice and long sleeves with View B’s full circle skirt and sash tie, this dress becomes delightfully vintage with the right fabric.
I shared my toile of the bodice on Instagram earlier in the year – thought you’d appreciate the flash of tummy above. A brief reminder of my measurements: 36″ A bust, 33″ waist, 45″ hips. I chose a size 10 in the upper body/bust/armholes, 12 waist and 14 waist/hips. I then slimmed the sleeve width down a little and ultimately, shortened their length. I also moved the bust darts slightly and added 2″ to the skirt hem.
I’m not risking any mishaps with this wrap… There are multiple press stud fasteners used to close the dress at each side seam and the neckline. The sash belt is then purely decorative. The mix of facings and my own use of bias binding for the skirt and sleeve hems feels complementary.
This feels luxurious to wear because of the fabric. Plus it feels well drafted, as that sleeve head is lovely and the bodice has just enough ease for everyday movement without looking saggy. PLUS the swish of the circle skirt is, of course, fabulous. But that means it is also fabric hungry, requiring me to use almost all of my 3m.
Wrap dresses used to make me so upset when I tried them on as everyone said they were universally flattering no matter your shape. But when I tried them on in shops all I saw was this lumpy figure with overemphasised stomach and hips, and no bust. Then I tried the Eve wrap dress with some success. But a wrap dress with a circle skirt? This is glorious for my body shape aka the human butternut squash.
Hello everyone! I was unbelievably excited to see the Dior exhibition at The V&A museum this weekend. I took my Aunt and cousin and just knew I’d tear up when I saw everything… I’m oddly emotional about the idea of all that design and talent gathered together. See a few personal highlights on my Instagram account.
Tea dresses are the ultimate wardrobe staple for me so it’s no surprise I reach for the same few patterns when I want to show off a great fabric. Feminine, timeless and modest they suit my workwear wardrobe as much as my out of office outfits. I love going out for lunch and on day trips in vintage style clothes as much as I like vintage glam evening wear! During the work day I don’t get to pile on the vintage make up or hair but I like to wear retro inspired clothes to the office as they make me feel turned out and confident. There’s no actual dress code in my office so sometimes wearing a shirtwaist dress or a circle skirt while everyone is wearing jeans makes me a point of difference but it doesn’t put me off. I honestly enjoy getting dressed every morning… I hope you do too?
So as you will have guessed, I’ve made this pattern before (three times now but only twice blogged). This is the Simple Sew Annabelle dress which I’ve always made in drapey crepe fabric. This time I thought I’d try something a little more structured! I treated myself to this “cotton spandex mix” from Lindy Bop who have just started selling fabric. They have a small collection of prints on two bases; scuba and “crepe de chine”. The latter arrived and was stretchy and relatively well structured so I think it’s a creative interpretation of what crepe de chine fabric is. It still gathers like a dream and has a lovely shine to it so please don’t think it’s not a quality fabric. I chose the magpie print and the bookcase print (as an editor I had to).
The blue is so vibrant and each of the magpies are depicted chasing different jewels and treats like rings, charm bracelets and gems. I live in a new build house from the early 2000s which was a long empty plot of land originally. When the builders turned over all the soil ready to build on, magpies came in the droves to find shiny bits that were unearthed and even now the houses are built they can’t help return to the spot. On a daily basis I see between 5-10 magpies around my street so I am constantly singing THIS nursery rhyme. And I ALWAYS say hello to a lonely magpie to make sure he’s not on his own.
You buy the material in either 1m or 3m lengths so have a think what you’d prefer and maybe partner up with someone to share if you The fabric is printed on a white base so when you stretch it you can slightly see white beneath. It’s also surprisingly closely woven so I recommend a very sharp fine needle to avoid snagging. You may want to line the fabric in case it sticks to tights but it’s totally opaque so makes a really lovely garment. I’m really pleased with the dress and the fabric and I’m looking forward to making my bookcase print dress! I think it would look fun as a Simplicity 1419 or a Selkie Patterns London dress don’t you?