Happy 2022 everyone! I’m kicking off the year by sharing a dress I actually finished last August. It’s a little ridiculous how long things wait before I photograph them properly. When I shared a sneak peek on Instagram it was very popular so hopefully you still like it now it’s finished. I’m pretty taken with it, except for one thing which I’ll cover in a moment.
I used the Marina Dress from McCall’s aka M8090 which is available in sizes 4-22 (46″ hip). This dress came with Love Sewing 95 where is how I recommend you buying it as it’s £9.99 for three sewing patterns. As per my previous version I adapted the bodice and skirt panel lengths. Marina is drop waist so I took 9cm off the bodice and added it to the top skirt panels. Next I removed the square yoke by folding out the gathering at the centre front and taping the yoke piece directly on top of the bodice piece. Here’s what that looked like.
On my previous version I also adapted the sleeve into a raglan but I decided to keep the standard rounded sleeve for this dress. As I made the dress in August, I went for a sleeveless finish but honestly regretted it. That’s the major thing I referred to at the start of this post. And there is a sleeveless view for the pattern but I think a smaller armhole would be more flattering on me if going sleeveless. I have enough fabric left over to cut some sleeves so will add a 3/4 sleeve with an elastic cuff.
Another thing that didn’t go quite to plan is the neckline where I decided to omit the collar stand. I wanted a nice flat open neckline which I got by drafting a neckline facing on the inside, instead. It’s not enough to support the placket opening even with an interfaced placket, so the fabric sags. Not unwearable but not as smart and neat as the original pattern. While I’m going to add sleeves, I’m not going to add a collar retrospectively.
Fit wise I didn’t change anything from my first version which was size S (8-10). The waistline droop I mentioned in my previous post turned out to be caused by my raglan sleeve alterations so I still need to curve the waist cutting line on those pattern pieces but not the regular sleeve version.
Let’s talk about this stunning fabric! It’s an ecovera viscose crepe from Rainbow Fabrics. It’s definitely a bubbly crepe weave but has the shine of a crepe de chine. It’s gorgeous with the perfect drape and opacity! It’s a deadstock fabric from the brand Nobody’s Child and they seem to get fabric from them quite regularly so I always keep my eyes peeled for more of this type.
For instance McCall’s 7974 would be perfect for this dress if I can get the Nobody’s Child lemon fabric!
Hello all! As I write it’s a cold but bright Friday here in Yorkshire. I have plans to celebrate my anniversary this weekend (delayed since the summer, thanks Covid) and hosting a live stream sewalong on Instagram this Sunday for Simplicity. I’m making a S9240 sweatshirt live!! I need to ease myself back into live videos again! They were always so fun but moderately stressful. So let’s hope this one goes off without issues.
Now onto today’s make. Returning to a pattern sewn years ago can inspire you to do things differently the next time around. I have made Vogue 9000 before but always knew I would revisit it, as I love the grown-on sleeves and full panelled skirt. This design also features a flat collar and buttoned bodice that is finished with a front facing and a strip of bias binding at the back neckline. The dress also fastens with an underarm side seam zipper for a neat fit.
When I first made the dress in 2016 I sewed it in a luscious red John Kaldor microfibre. It was medium weight, glossy and a little stretchy (like cotton sateen) with the drape of polyester. I rounded off the corners of the contrast black collar and used black self-covered buttons on the front fastenings. It was a beautiful formal dress I wore to several events including a Christmas dinner dance.
For my latest version I wanted to use an Ecovera viscose – a sustainable method of producing viscose that follows stringent guidelines to ensure eco-responsibility. The viscose was from Rainbow Fabrics in London who specialise in deadstock and overstock fabric from fashion houses which is a nice way to avoid waste and make your sewing more sustainable. In this pretty, confetti-heart print, the dress is lighter weight and easier to wear than the John Kaldor version which is just what I hoped. I can wear it in Summer with sandals, and Winter with brogues and tights.
Once again, I decided to round off the collar points but this time also extend the collar so it finished right at the front edges. This was due to the fact I would very rarely wear the neckline fully buttoned. Also the notch where the collar meets the facing isn’t very pronounced if worn open. A seamless transition into the collar seemed to be worth pursuing. It reminds me of a sporty polo collar now. I’m pretty pleased with the finished look.
Choosing viscose for this pattern does introduce a few more considerations. I didn’t line the dress so I’ll wear a slip underneath when wearing tights. A sharp fine needle and pins are vital to avoid snagging the fabric, and a dab of fray check on the button holes provides extra security. The most important thing to remember is to allow your skirt hem to drop for at least 24hours after attaching to the bodice. As it is a full skirt, there are areas on the bias that will naturally stretch out. Once the fabric has dropped you can then recut the hem so that it is level before finishing. I use a vintage Newey chalk hem marker that allows you to puff a line of chalk at a set height as you rotate in your garment.
I wholeheartedly recommend Vogue 9000. The panelled skirt is great for narrow fabrics while still achieving a flowing full skirt. I love the double darts in the back for even shaping, and like how the front bodice darts extend into the skirt panel seams. It’s a beautiful vintage pattern where you can create a dress that is a true reproduction of the era, or add a modern spin on the silhouette with an updated fabric choice.
Happy bank holiday weekend everyone! I’ve just finished photographing a new dress and I’m really hoping the weather stays nice enough for me to wear it out and about this weekend. This is Butterick 6758 from the latest summer collection. It’s a really nice day dress pattern with drawstring waist and grown-on sleeves (aka drafted to be attached to the bodice), plus the option for a hem ruffle! I chose to make view A but without the sleeve bands. And I changed the drawstring to a waist belt.
The dress turned out so great. Easy to wear and fit, plus it will transition from summer to winter easily! I sewed it over the course of a few evenings, taking my time with it so I could slow down and enjoy the process.
My fabric is from Rainbow Fabrics, an online seller of deadstock fabric. This means the fabric is limited quantities, ie left over from ready to wear lines or excess stock from fabric wholesalers and once it’s gone it’s gone… which is the case for this print I’m afraid. It was labelled Ecovera viscose and they do have this same fabric base in other prints so maybe take a look. It’s unusual as a viscose as it has a crepe like texture with that familiar bubbled pebbly surface. I think it works perfectly for this dress as it has enough drape to gather nicely but still feels substantial to wear.
I love grown-on sleeves on me. Not because I don’t enjoy sewing sleeves, that’s not it. I just have very narrow shoulders and I love how grown-on sleeves broaden my top and balance everything out. Plus, when slightly oversized like this they look and feel super breezy! The trick with grown-on sleeves though is to recognise how the seam will fall down your arm, you’re asking a straight line to curve over your shoulder and down the arm so you will naturally get a small curve at the very end if using a soft fabric as it bounces up at the hem. A slightly stiffer fabric will hold itself away from your arm but you might not like that look. One trick that helps is to snip into the seam allowance from the shoulder point downwards every 2cm or so this helps the seam allowance lie flatter along the arm. But this shouldn’t be tried on a fabric that frays very easily.
I use a similar technique on the underarm of a grown-on sleeve, I snip into the seam allowance of the curve in a couple of places and then overlock the side seam allowances together letting the snips stay slightly open as I go over the fabric. Alternatively you can trim quite close so there is minimal seam allowance pulling on the curve.
I’m wearing my dress with red converse right now but I can easily see it with tights and a cardigan in colder weather. I made a size 14 and graded out the hips to add another 1″ at the side seams. To share this evenly I divided by 2 so I knew how much to add to the front and the back. Then divided by 2 again to work out how much needed adding to each side seam. So by adding a 1/4″ to the front and back side seam on my tissue pieces this added up to 1″ in total. Have you made this dress? Or are tempted to make it now? Please let me know in the comments!