Hello my loveliest ones!! I am hating humanity after a hellish time on public transport and the motorway but you’re all exempt. You wouldn’t leave giant cases in the aisles and blare music without speakers would you?? I hope not. And you wouldn’t try and drive me off the road in your a supermarket delivery van right???
I’ve been doing a little less sewing than normal lately but wanted to experiment with the latest pattern from Love Sewing magazine. This pattern is included with issue 73 on sale October 3rd. That’s tomorrow! As you know I don’t often have time to make the magazine patterns but I just loved this neckline!
Isn’t Lis’s version below so gorgeous? I knew I couldnt pull off the shift style so I wanted to see if I could hack the dress to a more retro silhouette. To do this I used the waistline mark on the front and back bodice pieces. I marked lines across the pattern pieces 1.5cm below the waistline point. This was the cutting line.
I then worked out the finished waist measurement and measurements for the front and back and adjusted slightly so my skirt pattern would match at the side seams. The skirt here is actually my wedding dress skirt pattern! It makes it very swishy.
I made view D of the pattern with its lovely sweetheart neckline and no sleeves. This stretch spot cotton sateen is amazing quality and gives the dress a lot of structure. It took 3m to get all the pieces of this dress on the fabric even at 60″ wide. It’s a pretty huge skirt!!
I finished the hem with red bias tape; my preferred method for a circle skirt. There’s an invisible zipper in the back. And of course I added pockets. SO MUCH FUN!!
A fresh faced sewing enthusiast called Amy made her first version of Vogue 8469 back in 2013 and said, “oh yes this is lovely I better make it again”. She used £1 a metre polyester she found in Leeds Market and wore it to one of her first sewing meet-ups in London – the epic V&A event.
Flash forward to 2016! The new version is again made out of £1 a metre polyester, but this time from Birmingham Rag market. This amazingly versatile dress has lived in the back of my wardrobe only occaisonally getting worn because I slightly messed up the gathers on one side of the bust, and my zipper installation wasn’t very neat. What I discovered during Me Made May this year, is that it really doesn’t matter! You can’t see either of those things when I wear the dress so I should blumming well get it out the cupboard more often.
This dress is great if you’re a large or small busted lady in comparison to your waist and hip size as you can adjust for your bust easily; simply slash and then add or subtract the space you need and then draw the fabric under the bust neatly.
The skirt is more tulip shaped than you might think, a change from my super flared skirts. It’s still gathered making it easy to fit through the hip. The bodice, waistband and sleeves are lined and I used my trusty tutorial for clean finishing the sleeves into the lining. I skipped the sleeve elastic again as you can see.
The centre sewn zip is what we all learn early on, stitched down each side to secure the zip and create a little flap to cover each side… but this is the hardest zip to achieve a neat finish for me. The zipper always peeps through and the sides aren’t even! The supposedly harder invisible and lapped zippers are much nicer in my book. Am I wrong?
I wear this dress with the bow tied at the front most days but occasionally swing it to the back. It’s a great number to wear with red lipstick and dangly earrings for dinner out, or ballet flats and curly hair for a vintage day look.
It was great to teach myself, just because you messed something up doesn’t mean you can’t still love it. The annoying perfectionist in me shuts up while I wear this so that’s a win right?!