Swishable Vogue 8997

Almond rock vogue 9887 cocktail hour

Hello hello! Super happy to be typing up this blog post today. I had a really lovely week with two days at the Sewing For Pleasure show in Birmingham for work and a fab weekend with my two best friends, cake and some much needed shopping. Other exciting news? I photographed three new dresses so have plenty to share over the next few weeks. One of them is a gorgeous little black dress because this month The McCall Pattern Co have launched their new campaign – The Vogue Patterns Cocktail Hour!

Almond rock vogue 9887 cocktail hour

You may remember the Vintage Sewalong from last year, which I took part in. Well this year is bigger and better with 26 bloggers making versions of the 20 Vogue patterns from the Cocktail Hour collection.

It’s such a good way to raise money for a fabulous charity. The Eve Appeal is the only UK national charity raising awareness and funding research in the five gynaecological cancers!

There’s a wonderful introductory post on the Sewdirect blog to help you pick your pattern and we’ve created a special bonus magazine to go with issue 38 of Love Sewing to share our tips and tricks for creating a polished evening look.

Almond rock vogue 9887 cocktail hour

As is becoming a bit of a tradition for me, I wanted to make a dress for my Welcome in the supplement so I chose Vogue 8997! See Lizzy’s beautiful version here and for some instagram fun follow @glamagrrl

Almond rock vogue 9887 cocktail hour

This fully lined princess seamed dress is a little bit vintage, has some clever design lines with its 8 panels and shaped waist seam and is a great pattern for achieving a beautiful fit. There are separate cup sizes and different length and sleeve options. I made view B in size 10 around the upper body with A-cup bust and graded to a size 12 at the waist.I resisted the urge to shorten the style and it turned out about right for me.


Almond rock vogue 9887 cocktail hour

To check everything over I essentially made a toile out of lining basted together with an easy to unpick stitch length (snap included). This meant if I’d nailed the sizing, I was well on my way to having a constructed garment but could still make necessary changes. My key change was moving the bust princess seam over by 1.5cm towards the centre at the bust point as I’m very small chested.

Almond rock vogue 9887 cocktail hour

My fabric is a great quality crepe de chine from John Kaldor called “Olivia” that I picked up at Barry’s in Birmingham last year. The floral print is quite large (see the scale below) but I loved the shades of mink and fuchsia in there. The lining is a nude pink polyester that I keep a roll of at home. It’s perfect for blending in with almost any fabric so I recommend buying in bulk to keep in your stash.

Almond rock vogue 9887 cocktail hour

The crepe didn’t fray too badly but the lining did so I still overlocked the exposed internal seams. I also used my overlocker to add a baby rolled hem on the crepe which was a fun new trick to try. It’s very subtle on a print like this. Here’s the video tutorial I used for my Singer machine.

Other little details were to add an invisible zip so obviously altered the steps a little to include this style closure. But the rest was super straightforward!

Almond rock vogue 9887 cocktail hour

Join the 2017 sewalong by making a version yourself and sharing your make online using the hashtag #sipandsew (remembering to copy in @McCallpatternUK on Twitter or @McCallpatternUK on Instagram). You can also attend different activities throughout the year including in-store events, workshops and special cocktail parties.


Almond rock vogue 9887 cocktail hour

So will you be taking part in the Cocktail Hour sewalong? Follow the amazing blogger tour for more inspiration, starting with Winnie of Scruffy Badger Time!

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Honey Bunny McCall’s 7381

Hi everyone! I’m back with a new dress and some more pics that I had snapped at the work studio.

almond rock mccalls 7381 love sewing mag

I have been eager to make this dress for a while, even before we knew it would be a free gift for the magazine.

The epic thing that has me dancing around the office is that we’ve arranged an exclusive set up with McCall’s that the mag pattern gifts have both size ranges stuffed into one envelope. THAT’S UNHEARD OF. For one thing you can’t go out and buy a McCall’s pattern for £5.99 so it was already a sweet bargain and now you get two sets of tissue for that price. SQUEEEEAL. So yep, you should start looking out for upcoming issues with this same size range and no longer will I be writing to disappointed subscribers who don’t like the split sizing. Winner winner, chicken dinner.

So back to the dress… This is McCall’s 7381 and features mix and match options like different sleeves and hem lengths. You can achieve an easy fit with the elasticated back and you can throw the dress on straight over your head pretty much and then it fastens with hidden hooks and eyes or press studs under the wrap.

You can get hold of it with issue 37 of Love Sewing mag in any supermarket, WH Smiths or via www.moremags.com. Or if you aren’t into sewing mags, hunt down the pattern on it’s own through www.sewdirect.com or your local shop – I totally recommend it!

almond rock mccalls 7381 love sewing mag

almond rock mccalls 7381 love sewing mag

Because I wanted to make a ‘wearable muslin’ I decided to try some fun rabbit print viscose fabric from my stash. True viscose is very prone to shrinking so I made sure to wash my fabric first and found some black elastic and black liquid satin to line the bodice.

almond rock mccalls 7381 love sewing mag

There aren’t too many complicated steps in this dress. The ties require you to sew around 90˚ corners by dropping your needle and lifting your presser foot to pivot so it’s important to mark your pivot point carefully and reinforce the corners with stay-stitching. I found it a little fiddly to get a neat point at the end of the ties with a point turner so resorted to a chopstick and finally a pin to gently ease out the end.

You might be interested in my sleeve-setting mantra too – “pin the seam not the sleeve”. Big-brand patterns are always accused of putting too much ease in sleeve caps. But accurate pinning can reveal this to be less ease than you think. Pin at the seam stitching line and don’t fight to align the raw edge curves. Curling the sleeve head over your hand can help so the sleeve mimics how it will sit with a real arm in there. Then just use the half and half again process; pin the notches, pin halfway between them, then pin halfway between those pins and repeat until your sleeve is ready to sew.

almond rock mccalls 7381 love sewing mag

The style is supposed to have a bit more design ease than you see in my version but as I was between the sizes I opted to sew the smaller size S (aka 8-10 because it’s banded sizing). I’m very small in the shoulders, have a 37” bust but I’m wide across my back. Size S has a finished bust measurement of 38” and I think 1” of ease is enough for me. The ties add interest to distract from my small bust and the cap sleeves give me a nice amount of coverage. Not that you can see the ties in these pics hehehe. Something for the people who meet me in person to have a look at!

almond rock mccalls 7381 love sewing mag

As a pear-shaped gal I really liked where the waistline sits, almost empire line, so the skirt fabric falls nicely over my lower half. Even with a 43” full hip measurement I have plenty of room in the flared skirt. I think the fastenings at the front could possibly be sewn shut as well… though I’m scared to rip my dress open so maybe I’ll stick with my hook and eye.

I should confess I like to pretend I’m taller than I am but in reality I’m 5’4” and, as I prefer not to show a lot of leg, I added an inch to the skirt length to ensure it fell at my knees.

Now I just need to pick what fabric to use for my second version! I have some lovely Atelier Brunette poplin and a luxurious piece of silk that would both work. I promise to share a picture when I’m done. Make sure to tag me any pictures you make of this pattern and I’d love to hear your thoughts on our new size offering. Maybe all the big four brands move to this?

almond rock mccalls 7381 love sewing mag

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Don’t be shady, be a Zadie

Hello everyone!! It’s been a lovely sunny day here but a little brisk. I hope you’re all warm and cosy in your sewing rooms.

I’ve just finished my first week of driving to work. Trains to Stockport aren’t the most efficient or cheap so by driving I’m now saving lots of money (that I can spend on fabric) and lots of time (that I can use for sewing).

Today I wanted to share pics of my finished Zadie dress by Tilly and The Buttons. The team were sweet enough to send me a copy at the start of the year when we featured it in the mag.

Look at the lovely diamond seaming and deep pockets!! The cap sleeve option was my immediate preference. Just by the way the seam lines match up with the bodice.

There isn’t waist seam all around so you don’t get a really snug fit but I tapered the side seams a little to help. Other than that I made no adjustments to the size 4.

I bought two matching weights of ponte from Jack’s Fabrics in Leeds market. There was a gorgeous turquoise but it was much thinner than the rest of the ponte which seemed like a recipe for disaster.

Given the unusual construction I had to read the instructions but naturally they were pretty flawless. The only thing I had to work out for myself is how to overlock the insides. That was a mixed success.

The neckband is my best yet. Tilly suggests the best stitch length and width for a subtle zigzag that still makes a secure seam. I used teal ribbon to stabilise my seams too.

Not much else to say other than I might go back for the turquoise and make a solid version with long sleeves! Are you going to try Zadie? Let me know in the comments!!


I was asked to share some inside pics to show my overlooking. It’s a little ropey as my thread tension was a little off working with the multiple layers.

Back of armhole first. Overlock the sleeve hem. Overlock the underarm. Sew the sleeve then overlock each side of the raglan. Press SA down and hem underarm. Topstitch catching the SA at the intersection to secure.

Front of armhole. Same as back but a little smidgen of contrast colour SA shows… not from the outside of course.

Waist seam point. I overlocked the two layers together stopping close to the v (above and below) but couldn’t get right on top due to changing layers.

Pocket was easy peasy to overlock. Same as the side seams!

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Threadcount blouse

Hello everyone!

I’ve been on a great run of therapeutic sewing lately! Getting my head down, pushing out the world and focusing on the task at hand. I had a super productive Christmas break and made a whopping four garments in three days. Three dresses and a blouse. I sewed them all at the same time if that makes sense. Like my own production line. Getting my head down and drowning out the world by sewing is a real stress-buster for me. It’s like I tap into the part of me that’s a freaky zen robot eagle and just focus on executing each step neatly and efficiently.

Almond rock Threadcount blouse Remnant Kings

This pattern came free with Sew Now magazine. Love Sewing’s little sister. There are a few mix and match variations but I chose the button placket with the short sleeves and I opted the length of view B without the dip hem (I just levelled everything off). Happily I lay my block on top of the pattern pieces and they matched the size 8 I only had to move the bust a smidgen and grade out the side seams to a size 14 from the waist to hip.

Almond rock Threadcount blouse Remnant Kings

I laugh when I look at this fabric because I would never had bought it normally. The team at Remnant Kings talked me into it after I attended an event at the Glasgow store. It feels lovely (like a looser than normal lawn weave but not like gauze or anything) and the print is sweet… it’s just that shade of blue that I would have sworn doesn’t suit me. Maybe it doesn’t but who cares. Find it here.

Almond rock Threadcount blouse Remnant Kings

The pearl buttons are pure plastic so I’m waiting for the washing machine to scuff them up. Amazingly after a day of wearing the top there aren’t many creases! Magic. I only wish I had enough fabric for the longer sleeves.

Almond rock Threadcount blouse Remnant Kings

I French seamed the whole garment including the armholes and I used the burrito method for the yoke – pic below of rolled up front sandwiched between the inner and outer yoke ready to sew over the shoulder seam.

Almond rock Threadcount blouse Remnant Kings

My trusty topstitching foot made easy work of the placket. I had a bit of trouble with the buttonholes because my fabric was a bit damp still after pressing. Once I let everything dry properly and finished unpicking for the third time I was able to stop worrying about them. But then like an idiot I sewed the buttons on in slightly the wrong place so the placket doesn’t sit neatly closed!! Gah!

Obligatory back shot time…

Almond rock Threadcount blouse Remnant Kings

Nice little pleats right?

I’m so happy with this make I already started another, but this time I hacked the front to have a full placket. I added hot pink stitching so need to get hot pink buttons now right? Next job on my list.

Almond rock Threadcount blouse Remnant Kings

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Little red dress

Happy New Year gorgeous people!!

Hope you’re all surviving the first week of the year if you’re working and soaking up the extra drops of relaxation if you’re not.

I wanted to quickly share my festive dress. This is Butterick 5748 which I made earlier this year with the included circle skirt. This time I wanted to try adding a gathered skirt to make it a little less fabric hungry. So I of course the gathered Emery dress skirt – I’m addicted to it. Now I have two versions I love!

The fabric is a gorgeous red sateen partially from Remnant Kings and partially from B&M fabrics in Leeds market. ​I LOVE the colour. Red makes me so happy and confident. When I was a little girl I wore red shoes almost every day. And now I’m an adult they’re still in high rotation. I just bought these red satin converse hahah! Plus I have a LOT of red handmade dresses.

This was a great chance to perfect my lapped zipper technique. I follow the approach in the Reader’s Digest Sewing Book which is pure gold. Here are my top tips.

  • Use a slightly larger seam allowance on the zip opening say by 3-5mm.
  • Follow the woven guide lines on your zipper tape or mark a clear guide to follow.
  • Clip away the bulk from the seam allowance at the waist, on either side of the zipper tape to have the zip sit as flat as possible.
  • If using thicker fabric, I recommend leaving the lining hanging down before securing with a stitch in the ditch like I have here. It again reduces bulk at the waist.
  • Fold back the lining seam allowance before finishing the neckline seam to get a neat finish on the inside at top of the zipper.

Hopefully this wasn’t too long for a quick post! Back soon with a blouse I managed to take pics of this weekend.

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