Wedding anniversary hoop

I had this big plan before my wedding to create a hoop that would double as a ring cushion. It was going to be a ring of florals inspired by my bouquet with ribbon ties in the centre.

Almond rock wedding flowers handmade dress

My adorable Godson would carry it down the aisle and once we were married I’d remove the ties and stitch our wedding date in the centre. I bought a pattern and floss but then flash forward to a couple of weeks before the wedding and I couldn’t fit in work on the project. SO we just used a ring box! And it was fine.

I still fancied making a hoop to commemorate the date so started the hoop a few weeks after our honeymoon. I worked methodically through August and September slowed by tweaking my floss colours slightly as I worked.

Almond rock wedding anniversary hoop namaste embroidery floss delicate roses

The pattern is the Delicate Roses pattern from Namaste Embroidery shown below with a couple of omissions to keep the centre free. Jessica who runs the brand was even super kind and helped me tweak the colour choices by recommending shades over email!

Almond rock wedding anniversary hoop namaste embroidery floss delicate roses

As you see below, my version features pink and coral roses with sage green and lime details. I loved building the satin stitch to showcase the colours but my lazy daisy greenery isn’t my best and my back stitch is a little wobbly. I say it every time but French knots are very satisfying to make.

Almond rock wedding anniversary hoop namaste embroidery floss delicate roses

Hilariously in the final stages of the hoop I put ths wrong month in the centre… traced it, stitched it and photographed it hahah. I had only been married two months so had no excuse. Quick unpicking and I got it fixed in no time.

Almond rock wedding anniversary hoop namaste embroidery floss delicate roses

I think the colour chart in the pattern is a beautiful finish and while I’m pleased how this reminds me of my bouquet the pink roses aren’t quite as dynamic as the coral ones. I’m super pleased how I altered the direction of my satin stitch to give them depth though. I’m still a relative embroidery newbie!

Almond rock wedding anniversary hoop namaste embroidery floss delicate roses

I put the finished embroidery in an orange hoop and have hung it in our hallway so we pass it each day.

Almond rock wedding anniversary hoop namaste embroidery floss delicate roses

As we come close to our first anniversary we’re both giddy to celebrate and are planning ideas PLUS we’re excited to eat our top tier from my mum’s gorgeous cake (white choc and raspberry)!! Its so good having a professional baker in the family. Want me to save you a slice?

Almond rock wedding cake handmade dress

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Behind the seams at Love Sewing magazine

I thought it might be interesting if you don’t actually know about my day to day job to hear a little bit more about editing a sewing magazine.

I have now been working in publishing for 10 years. For several years I edited legal publications for solicitors and barristers, and then I spent a few years as a publishing specialist reworking print titles into eBooks and online titles. Then in June 2015 I joined the Love Sewing team. I really enjoy being able to combine my two passions of publishing and sewing. The worst bit is probably the timelines you need to work to: Magazines are very demanding because there’s no let up or downtime with what you need to squeeze in to your working week.

The magazine is based in Stockport and is part of a publishing group that has 10 other craft magazines all under one roof. I sit in the Softcrafts team so I’m surrounded by sewists, quilters, knitters, and crocheters and creative designers in the art team; all wonderfully inspiring people. With 14 issues a year of 100 pages and two pattern gifts every time, it’s a busy schedule and I rely on my deputy editor to help me write/source content for every page, then edit, proof and approve the magazine. Every day is slightly different as my month generally falls into two halves – the two weeks when we produce an issue and the two weeks where I plan the upcoming editions. More often I’m having to do both tasks at the same time to keep ahead of the schedule.

When we work on an issue word documents are edited then ‘subbed’ by another team to double check spelling, punctuation and grammar and add instructions for the art team. Art lay out the pages and then we proofread to ensure all the text, imagery, and even the page numbers, are as they need to be. We use job bags that we pass between each other to mark the progress of the pages throughout each stage and create PDFs for each article or project using Adobe inDesign. When an issue is ready we send every page to the printer along with a cover. On issues where we include a bonus second magazine with the issue, that usually has to be finished by the same date as well which can add another 60 or so pages into the month… Safe to say celebratory press day pizza and wine is a regular occurrence in my house.

The rest of the time I’m generally planning around 3-6 months ahead; picking pattern gifts, arranging projects, lining up articles and interviews, plus searching for great new fabrics! There are also client meetings, production catchups, consumer shows and magazine reviews. I’m currently finishing summer issues, planning Christmas, getting ready for two shows, and also thinking ahead to early next year in case Sewing Bee has another early air date. Talking about Christmas now might sound crazy but it sort of works because I then get it done and put it out of my head long enough to get excited about real Christmas later in the year! Publishing is really like project management in a lot of ways – it’s scheduling, budgeting, organising yourself and others, and being disciplined in all these areas.

As I’ve been sewing a long time now I act as technical editor for the magazine as well, meaning I have to be able to suggest tips for construction, write about fabric handling methods and explain various techniques. We also work with industry experts to share their knowledge on couture techniques, fitting tutorials, and inspiring tips and tricks. Our resident columnists are Alison Smith MBE, Elisalex de Castro Peake, Claire-Louise Hardie, Stacey Chapman and Wendy Gardiner. Working with these ladies over email is wonderful and together we spark ideas for brilliant new pieces plus they’re great fun on the days when we finally get to catch up in person. Go on one of their amazing workshops, I dare you!

I commission a number of independent designers to create the projects inside the magazine and we work together to pin down the style and details in the garment before they make up the pattern and a sample garment. The paper pattern garments are made up by seamstresses so I have to pick the fabric and plan the covers and envelopes to make them bold and bright. Picking fabric is a huge part of my job so I’m always searching through shops online and obsessively looking for the best prints and colours to use in the magazine.

My favourite parts of the month are the regular photoshoots we have. With four magazines that have model photography we regularly have shoots and all try and put a few garments onto each shoot. I often run out the office, across the road with a pile of dresses in hand and spend an hour or so, creating the images you see in the mag with the studio team before running back to the office. Some days we spend longer shooting an entire morning with one model for several issues of Love Sewing and getting a few cover shots as well. Renata is our talented fashion photographer, Nina provides gorgeous hair and make up.

As you might know I have a reader over to the studio every month and love spoiling them with their own private photography session. Everyone arrives saying they aren’t that confident in front of the camera but by the end of the afternoon we have oodles of gorgeous shots showing off their make and their gorgeous personality. We started this around issue 38 and now the issue 70 reader is coming over next week. We’ve had sewing celebrities, ladies who have brought their bestie for moral support, women who don’t normally wear make up, even a big group of ladies all in one go. It’s always a great afternoon and always over too soon.

Everyone’s route into publishing is different. I have a Degree in English Literature, and a Masters in Creative Writing. To get my first publishing job I also had to pass a series of tests – grammar, spelling and punctuation, plus typing and how to style a document. To get the Love Sewing Editor role I had to talk through the titles I’d managed to date, plus show I had the planning skills to put together an example features list. I was also expected to have a strong knowledge of the industry by describing the key sewing titles, pattern companies, experts, websites and bloggers. Plus I obviously had to talk about what makes a good-looking fabric, garment and magazine! (The key area of difference between book and magazine publishing is the sheer quantity of pictures.) I’m now the Managing Editor of Quilt Now magazine where I work alongside the Editor Bethany, as well as keeping control of Love Sewing.

If you liked this post you might like to read some interviews I’ve done in the past!

The Fold Line interviewed me here a few years ago.

I did an interview for the Love Sewing blog a while back as well.

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Pretty little pattern hack Butterick 6318 and Butterick 6453

Sometimes an idea for a dress sticks with you.

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

I have a wonderful and annoying job where I constantly search for fabric for the magazine. Mostly the thrill of featuring the prettiest fabric in the magazine is enough but a lot of the time I become obsessed with getting some for myself. Like the cover garment for issue 43…

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

This Art Gallery Fabric rayon is absolute gorgeous and was designed by Maureen Cracknell. I’ve bought a couple of her other prints and I’m a big fan in general. The design is called Floral Universe in turquoise from the collection Soulful. You can still buy it here.

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

While I loved the wrap ties with the gathered skirt of B6318 I had a feeling the kimono sleeves and high neckline on the bodice would drown me. Then I remembered this dress I’d saved on Instagram! The perfect compromise. So in steps B6453!

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

There’s not much to say about the B6453 dress as I’ve made it before. I added the wraps into the side seams during construction like the B6318 instructions direct. The fabric is pretty opaque but I underlined the bodice for stability and lined the bodice for a clean finish. The skirt is unlined and I overlocked the insides. I use a metal loop turn to turn through straps which I know some people hate but it always works for me.

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

So in hindsight the waist ties could have been a smidge longer as this back shot below shows. Meh, you live and learn I say. It’s hard to see but there’s a lapped zipper as it’s my favourite and it is what the pattern recommends. Plus I used rings and sliders on my straps, again following the pattern which let’s you get a custom length. The sew-along and Facebook support group for this pattern is wonderful if you are nervous.

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

The colours of my fabric are heavenly and the scale of the print is so fun and the feel of that rayon… oh hubba hubba, it’s so dreamy!! AGF rayons are amazing quality. I wote this dress on honeymoon and felt amazing. I wanted to dance around like a vintage movie star to make the skirt swish as often as possible. It was hard staying still for these photos.

almond rock gertie b6418 b6453 butterick retro sewing patterns art gallery fabrics floral universe

Now I’m excited to take it on more sunny adventures and swish around new countries!

*Just to let you know this post contains affiliate links but products I link are from trusted sellers like The McCall Pattern Co selling through Amazon or Minerva Crafts. There’s no obligation to buy through the link of course. I don’t advertise on my blog so this is a little way to fund the running of the site!

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Make lemonade New Look 6587

I’m a romantic at heart… I daydream about wearing glorious vintage clothes in stunning architectural spots around Europe… I’m Audrey in Roman Holiday, or Grace in To Catch A Thief… In reality I don’t have the patience to get up at dawn to find a location then get in position or wait in the perfect spot for everyone to leave the frame. People in tracksuits tend to ruin the retro illusion. But I make do.

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

During my trip to Barcelona in May I knew I wanted to at least get blog photos of this dress. I’d hoped for more since I was in a stunning European city BUT I have a very unhappy photographer/travel companion who doesnt like getting in the way/being watched taking photos/the pressure to get the perfect shot. I think Rach and Noelle have a genius solution being dedicated photographers for each other. Any volunteers?

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

Seeing catwalk dresses and knowing you can make a version that suits your life and budget is so enjoyable! I had the above Dolce and Gabbana lemon and floral beaded poplin dress (£2578) saved on my pinterest board for a long time as well as the below stunning organza silk lemon print dress which is a D&G variation on the first style (£3798).

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

For my version I used a stretch cotton with zesty lemons on a smaller scale and teal leaves. This fabric is from Fabricland a year ago when lemon fabric mania was at its peak!! Flash forward a year and there’s new lemon designs out there so go shopping with glee everyone.

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

As a modest lady who gets cold easily I wanted a dress with sleeves and have been quietly obsessing over button front dresses for a while. I got New Look 6587 in a pattern shop about 5 years ago and took it out every year thinking “Is this too 90s? If it is why do I love it so much?”. Safe to say I made it more vintage.

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

I made view E without the trim. The skirt is barely gathered which I find quite flattering and works well in this style of fabric. I also added an inch to the length for midi coverage. Everything is faced in nude bias binding which is a neat finish. I chose vintage teal and white buttons I picked up in the Bonds of Farsley sale and to make up for having only 7 buttons I added reverse buttons on the inside in the gaps.

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

My belt was made using a vintage belt kit gifted a few years ago by a fellow sewist. While I’ve made a belt before I’ve never had access to real belting material. My kit was nearly identical to the one shown in this tutorial. I love the finished effect and made sure to perfectly position two holes – one for before dinner and one for after!

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

This dress turned out so much better than I hoped. The style, colours and fit make me so happy and stylish. (Quick announcement: I’m also in love with my lemon earrings!) Barcelona beach was a fun backdrop for the photos… even if I had to sacrifice my beautiful ideas of retro images. I might wear it to the Italian Riviera themed party at New Craft House this sunmer!

Almond rock new look 6587 Dolce and Gabbana lemon dress nl6587 #simplicitybyme

Feeling happy 50s or 90s vibes for this pattern? Take a look at these ace versions: I’m green with envy over this dress, and I’m gagging over this beauty and last but not least visit pattern review to see this, plus more cute versions!

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Two for joy Annabelle dress

Hello everyone! I was unbelievably excited to see the Dior exhibition at The V&A museum this weekend. I took my Aunt and cousin and just knew I’d tear up when I saw everything… I’m oddly emotional about the idea of all that design and talent gathered together. See a few personal highlights on my Instagram account.

almondrock annabelle dress lindbop teadress vintage style retro sewing

Tea dresses are the ultimate wardrobe staple for me so it’s no surprise I reach for the same few patterns when I want to show off a great fabric. Feminine, timeless and modest they suit my workwear wardrobe as much as my out of office outfits. I love going out for lunch and on day trips in vintage style clothes as much as I like vintage glam evening wear! During the work day I don’t get to pile on the vintage make up or hair but I like to wear retro inspired clothes to the office as they make me feel turned out and confident. There’s no actual dress code in my office so sometimes wearing a shirtwaist dress or a circle skirt while everyone is wearing jeans makes me a point of difference but it doesn’t put me off. I honestly enjoy getting dressed every morning… I hope you do too?

almondrock annabelle dress lindbop teadress vintage style retro sewing

So as you will have guessed, I’ve made this pattern before (three times now but only twice blogged). This is the Simple Sew Annabelle dress which I’ve always made in drapey crepe fabric. This time I thought I’d try something a little more structured! I treated myself to this “cotton spandex mix” from Lindy Bop who have just started selling fabric. They have a small collection of prints on two bases; scuba and “crepe de chine”. The latter arrived and was stretchy and relatively well structured so I think it’s a creative interpretation of what crepe de chine fabric is. It still gathers like a dream and has a lovely shine to it so please don’t think it’s not a quality fabric. I chose the magpie print and the bookcase print (as an editor I had to).

almondrock annabelle dress lindbop teadress vintage style retro sewing

The blue is so vibrant and each of the magpies are depicted chasing different jewels and treats like rings, charm bracelets and gems. I live in a new build house from the early 2000s which was a long empty plot of land originally. When the builders turned over all the soil ready to build on, magpies came in the droves to find shiny bits that were unearthed and even now the houses are built they can’t help return to the spot. On a daily basis I see between 5-10 magpies around my street so I am constantly singing THIS nursery rhyme. And I ALWAYS say hello to a lonely magpie to make sure he’s not on his own.

almondrock annabelle dress lindbop teadress vintage style retro sewing

You buy the material in either 1m or 3m lengths so have a think what you’d prefer and maybe partner up with someone to share if you The fabric is printed on a white base so when you stretch it you can slightly see white beneath. It’s also surprisingly closely woven so I recommend a very sharp fine needle to avoid snagging. You may want to line the fabric in case it sticks to tights but it’s totally opaque so makes a really lovely garment. I’m really pleased with the dress and the fabric and I’m looking forward to making my bookcase print dress! I think it would look fun as a Simplicity 1419 or a Selkie Patterns London dress don’t you?

almondrock annabelle dress lindbop teadress vintage style retro sewing

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