Leslie Caron wannabe

almond rock american in paris burda dress

I love a good musical, especially a Gene Kelly musical. An American In Paris is completely fabulous.

When I saw Burda’s Viva La Diva spread in issue 11/2014 I fell hard for the AIP inspired dress. This collection featured iconic gowns from favourite films. The Eva Green Casino Royale gown and Marilyn Monroe Gentlemen Prefer Blondes halter dress are also gorgeous but the Leslie Caron dress had me hooked. Deliciously vintage looking and the perfect next #vintagepledge dress.

almond rock american in paris burda dress

almond rock american in paris burda dress

I haven’t bought Burda since a terrible incident with a dress in 2012. Those pattern sheets are HORRIBLE. But I’m a different sewist now… and apparently I can handle Burda magazines again! As luck would have it, this back issue was in the office so I borrowed it to get started on this dress.

almond rock american in paris burda dress

I wanted to use this polka dot satin from B&M Fabrics in Leeds with its scattered spots that dissolve into almost solid red. The border actually runs across both selvedges but I bought 3m to account for that. I knew I’d use the border print along the skirt hem.

almond rock american in paris burda dress

The bodice has an outer layer, an interlining which I interfaced and a lining. The drape is made by gathering three edges. The drapes look terrible when the dress is hung up but then when worn they sit really well on the body. The rouleaux straps and side zipper are the only support so I decided to add boding to the back bodice seams.

almond rock american in paris burda dress

I didn’t use the skirt frills as I though that would be overkill and just used the gathered skirt underneath. I finished the hem with an overlocked rolled hem.

almond rock burda dress american in paris

There’s actually a really nice version of the dress with a full back bodice that extends into sleeves. I might make this too at some point.

almond rock american in paris burda dress almond rock american in paris burda dress

Overall I’m really happy with the dress. I wore it to a longtime friend’s wedding where I gave a reading about the cosmos (“we are all made of star stuff”) while I stood under a huge oak tree. It was a lovely day and the dress is now a lasting reminder of that. Maybe I’ll wear it to a showing of the live stage version of American In Paris one day! Or just out for dinner in Paris?! A girl can dream.

Here’s a little bonus cat pic since it went down quite well last time heeehee.

almond rock american in paris burda dress

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Vintage shirt dress number 3

I can’t help myself with this pattern, plus I have so many more versions planned!

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In case it wasn’t obvious, this is the Vintage Shirtdress from Sew Over It aka the Ultimate Shirtdress in my mind. I wanted to try the pattern in viscose this time and felt I knew enough about the pattern to make it work.

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This poly viscose is from possibly the man outside Sainsburys… well it’s definitely from Walthamstow market following a very successful shopping trip with a Emmie, Roisin and Lauren. He just wasn’t quite behind sainsbury’s so who knows!? I thought this print was very Hobbs like or maybe Whistles? Nothing proven but it’s fun to dream and I know TMBS often gets end rolls from the high street.

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To keep the viscose from slipping all around I spritzed the uncut fabric with spray starch which was a big help during sewing but hasn’t washed out fully so the fabric is still a little stiffer than I like. These shell buttons were from my stash and I have absolutely no clue when from!

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The pattern sizing hasn’t changed from versions 1 and 2 so I’m not sure I have much else to say. I hope you forgive me for being brief!

On a plus I think I’m finally getting to grips with my camera settings! I took a few pictures of Chewie Cat and love how they turned out. These were shot on my X30 Fujifilm. It’s a bridge camera so I have the option to adjust my settings or let the camera decide. It’s great for when I’m in front of the camera as it does the hard work but then I get to play when the camera is back in my hands!

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Megan meets Orla dress

Hello hello!

Hope you’re all having a fab weekend. I’ve been poorly but thankfully starting to feel better, even if I’m still struggling to speak. My throat is burning but that won’t stop me sharing a new dress with you!

almond rock tilly and the buttons Megan love at first stitch

So yesterday I made the Megan dress from Tilly’s book Love At First Stitch. It’s not really my normal silhouette but I really wanted to try it!

almond rock tilly and the buttons Megan love at first stitch

It came together really quickly but I should have made more adjustments. I cut a 4 with a 6 from the bum downwards. I moved the bust darts and lengthen the waist tucks. Then I had to adjust the armhole and sleeve cap to reduce fullness. This dress totally needs a sway back adjustment I think. Let’s face it, It’s not great on me. I don’t care though since I didn’t spend much time working on fit.

almond rock tilly and the buttons Megan love at first stitch

Close fitting skirts aren’t really the most flattering on my unique derriere. I have a very round tummy with a flat hip, curvy butt and wider thigh. That means if skirts like this fit on my thighs they leave a sallow spot around my hips. The flowy fabrics helps minimise that in person but you can see it on the pictures. Here you can see the sway back issue.

almond rock tilly and the buttons Megan love at first stitch

The fabric is a poly twill from Abakhan. I really like the print because it gives me an Orla Kiely vibe. One downside was it was near impossible to pattern match. I gave it a fair shot but I’m not losing sleep over any off bit. Especially since I won’t wear it often.

almond rock tilly and the buttons Megan love at first stitch

I replaced the neck facing with bias binding, then adding bias binding to the hem and sleeve hems. I watched An Education while handsewing the bias in place. 60s flick for a 60s frock.

Quote from the boyfriend: “I like it, it’s sort of smart. Like workplace smart”.

I can work with that.

almond rock tilly and the buttons Megan love at first stitch

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Happy sunshine dress

Hello everyone! I promise this isn’t going be a huge ramble about the weather, even though I’m a total British cliché and actually enjoy talking about what’s happening out there. If I’ve ever talked to you about the weather, don’t think it’s just small talk… it honestly isn’t!

almond rock simplicity 2444 floral summer dress

So this is a dress I made last Summer! It was great for those sticky days when I needed to feel put together but stay as cool as possible. We’re not having so many of those right now. I have this really vivid memory of being out in Leeds with my mum and the sun was shining down on us and just loved wearing this dress. I also wore it to meet the gorgeous teeny newborn baby of my two good friends so the happy memories keep rolling.

almond rock simplicity 2444 floral summer dress

The cotton is a pretty print I found at B&M fabrics in the market but I’ve seen it online at Sew Over It called Cristabel and at Goldhawk Road. It’s a lightweight poplin with a touch of spandex. B&M had it on a blue base too.

almond rock simplicity 2444 floral summer dress

The dress is a Simplicity 2444 bodice with bigger armholes and thinner “straps” or should we still just call them shoulder seams? I used the Emery skirt from Christine Haynes because it’s so awesome; the perfect length and flared with the perfect A line. I added the pockets from the Emery too. I’m super happy with the fit of this dress now.

almond rock simplicity 2444 floral summer dress

The dress isn’t lined, just sewn up with the included facings which made it super quick to sew. The print means it isn’t that sheer but I definitely need a slip to wear the dress with tights. I installed a lapped zipper in the back because I am still on the quest to perfect these. This one is almost right, but the zipper pull shows a little.

almond rock simplicity 2444 floral summer dress

Oh and I rediscovered this necklace the other day too and really want to buy another big colourful piece like it. I systematically forget to wear jewellery every day. I really want to change that; although perhaps that means picking out jewellery the night before and laying it out for myself. That’s weird right? I have some lovely antique pieces from my family that I really regret not wearing more. Am I the only forgetful “accessoriser” out there?

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V9000 and The Big Vintage Sew-along

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Wow I can’t believe my turn on the Vintage Sew-along blogger tour has come around. I hope you like what I have to share. (Sadly I’m back to taking my own pictures. Sorry about that. And the weather was awful so I had to take the pics inside. Extra sorry about that.)

almond rock v9000 vintage sew-along sew essential

So I became very interested when I saw V9000. It made me think about my version of V1044, probably because of the kimono sleeves. It went on the shortlist (thinking, well surely I’ll be swayed into making one of the other patterns) but I kept coming back to that lovely flat collar and full panelled skirt.

almond rock V9000 Big Vintage Sew-along John Kaldor Sew Essential

In all honesty I don’t think fully buttoned shirts suit me. I have a very short neck and when I’ve tried them before I just feel claustrophobic. So I thought a high buttoned FLAT collar could be the answer.

almond rock V9000 Big Vintage Sew-along John Kaldor Sew Essential

As you can tell I rounded the pattern pieces using a French curve and trimmed some height of the rest of the collar (probably too much) to create something a little reminiscent of Marilyn Monroe’s outfit here. I wanted to go for classic black and white but resisted for a pop of colour.

The panelled skirt is great for narrow fabrics while still achieving that full skirted effect and comes together so easily.

almond rock v9000 vintage sew-along sew essential

In terms of sizing the bodice is a size 8 at the shoulders a 10 around the body and a 14 around the waist. I didn’t adjust the length of the bodice or skirt amazingly. As a shorty I normally reduce the length of skirts as a rule but I really like the length of this dress. It fits fantastically when I wear the right bra – aka not the one from these pics. Isn’t it amazing how much of a difference that makes!

almond rock V9000 Big Vintage Sew-along John Kaldor Sew Essential

This John Kaldor microfibre is medium weight, glossy and a bit stretchy (like cotton sateen) with the drape of polyester. This print is called Ursula in burgundy and the fabric is from Sew Essential, priced £10.56 per metre.

The fabric print is large and abstract enough to avoid print matching. I think it looks like a papercut in a way. Or a hamsa tattoo?

almond rock V9000 Big Vintage Sew-along John Kaldor Sew Essential

Then I used plain black polyester from my stash for the collar and the self covered buttons, with a red invisible zip and red thread (almost all of my habby supplies were from Sew Essential in fact). I used some bias binding from my stash to hem the skirt.

Is it just me that overlooked how many awesome John Kaldor prints they have? OMG – I’m going back for some of those other floral and painterly prints. And it’s nice to pick up everything you need for a project in one place.

almond rock v9000 big vintage sew-along sew essential john kaldor

SO would you make this dress? Or have any of the other patterns from the BVSA Edit caught your fancy? I’d love to know.

Please take a look at the Edit on the Vintage Sewalong site because a proportion of proceeds from the pattern sales are going to a fantastic charity, The Eve Appeal as the work they’re doing into gynaecological cancer detection, education and prevention will surely resonate with the predominantly female sewing community.

Keep looking out for Sew-along posts because there are a lot of talented bloggers still to come and I can’t wait to see their makes. Here’s my moody shot to finish hehehe.

almond rock V9000 Big Vintage Sew-along John Kaldor Sew Essential

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