Here she finally is, my finished Vogue 1537 in Olive Green wool. I’ve been dragging my heels all winter with this one but she’s finally done! When I made my first version of this coat it was LOVE. In fact I still love it…. I just can’t button it up any more. But I might in future so it’s staying put in my coat cupboard.
If you remember, originally I wanted a pass at this coat after seeing someone make a wool version on pattern review. You know I like to break the rules and was happy to find a like-minded rebel. It’s of course designed for lighter weight fabrics but who cares about that. Here’s my second wool version!
I used my altered pattern pieces with lengthened sleeves and no wrist tabs. And just like before there’s no hem vent. Shame on me AGAIN for not adding one. But you can easily move in this gently boxy coat without one. Plus it does line up but I was victim to the wind which was WILD. I had to choose between all my hair over my face or the hem not matching for the next photo.
This is my 9th piece of outerwear I think? But second full length coat. And because I made it from wool coating I had to add some extra steps that weren’t in the instructions to prepare the fabric. First you have to decide how to prepare your wool. I like to steam shrink everything by hand with a garment steamer or iron. Other people take the risk and machine wash. And some don’t prep at all. With the horrible rain that UK Autumn/Winter experiences, I prefer to get all shrinking out of the way.
Then I interfaced all the body with medium woven interfacing and the facings with a thicker canvas style interfacing. I decided not to pad stitch the interfacing in place, and used fusibles this time around because although my coating is thick, it’s not the kind of pile you could easily hide all the stitches in. Fusing such large pieces makes me wish for one of those big iron presses that tailors have. You can see I also use bright basting stitches to hold things in place… my idea of fun (I’m so wild, you can’t stand it).
When it comes to pressing seams I use a clapper and pressing cloth to hold the heat in the wool and avoid shiny marks from the iron plate. I also use a pair of manilla envelopes under the seam allowances to prevent a seam line mark on the right side of the garment. Then rather annoyingly when I was giving the coat a final press, I totally forgot this and pressed the long back seam creating a shadow/dent. I bet you didn’t even notice it in the photo, but I know it’s there. Hopefully it will fade with time and another steam.
Its a really lovely pattern with a great dress included. Vogue patterns are filled with nice designer details for a super polished finish. And I love the 60s vibe of the collar. You’ll see this design has large patch pockets but unfortunately I was about 30cms short of fabric to add these to mine. Instead I used the scraps of wool to make hip level welt flaps, for pockets which are lined and functional. Given how thick the fabric is the welts turned out nicely but I prefer a patch pocket for easier carrying of keys/phone/mask.
The fabric is from Montreux Fabrics (now sold out), from their stall at Knitting and Stitching Show Harrogate. It’s a very thick pure wool coating with an interesting variegation of thread colours. The finished coat is only a little bulky while being pleasantly very warm – my orange version was much thinner. I’m really pleased with the colour out in the world… in my sewing room it looked a little drab. A word I try not to associate with! The lining is rather the star of the show. This cat print satin (also sold out) was provided free of charge from Rainbow Fabrics as a preview of their A/W collection in exchange for an Instagram story. When I saw it alongside the coat fabric the colours paired so beautifully, with the navy and mustard cats popping against the olive.
So now I can be warm and dry again until nice weather returns to the UK. And I can move onto another project which hopefully I’ll finish quicker! Thanks for reading to the end. Or thanks for looking at all the pictures.
Hello happy people! I’m in a great mood because this post is going out on my birthday!! I never work on my birthday and always try to do something fun. As it’s a Thursday this year I also took the Friday off so it’s double the fun! Today I had a trip to the spa with a back and head massage and a foot massage. Then I ate my favourite skillet pancakes for lunch in the sun of Mill Kitchen’s outdoor seating. I’ve come back super chilled! And there’s time for a bit of sewing before we head out to dinner!
In other news I finished my dress for the New Craft House Riviera party and had a wonderful time on the night. There were so many familiar faces to catch up with plus some ladies I follow on Instagram but had never spoken to. There was Aperol spritzes and the biscuit fairy Claire was making sure we had regular snacks. I managed to get in a couple of photos with my darling Marie but in my usual style failed at getting a proper outfit shot. I AM THE WORST when I get chatting and forget all about photos.
So this week I managed to get a few photos at the studio with the lovely Renata this week so I’m not leaving it for ages to share my finished dress. I love the overall look and paired my lemon earrings and blue belt with the dress to pick up the colours in the fabric.
This embroidered mesh was pretty damn difficult to work with. The ‘squares’ are actually slight rectangles and they’re a huge 6″ tall which I didn’t think was actually that flattering when cut on the grain as it chops your body up in weird directions. It has no stretch and of course needed lining. Here’s the fabric if you’re tempted.
With all this in mind I decided to cut everything out on the bias! This left me with much less fabric to work with. I used Vogue 9000‘s hacked skirt from this dress and shortened it another 2″. I then cut both the front and back on the fold.
For the bodice I could only manage to cut the front on the fold and used my old Vogue 1102 (made so many times with too many tweaks to count) as I could hide the waist darts inside a tile without it looking too obvious. The back bodice had to be cut with a centre back seam but think it looks okay.
This all meant I needed a side zipper and to figure out the opacity. The bodice is underlined and then the two layers treated as one for construction and the raw edges finished with nude bias tape. The skirts were assembled separately and joined along the waist seam and zipper position. Below the zipper the skirts hang free and both layers were finished with an overlocked rolled hem. To finish I hand picked a side lapped zipper to make sure nothing would catch in the teeth and the stitching would be as invisible as possible.
If you didnt know this fabric was used in Dolce and Gabbana’s Majolica collection. This dress above sold for £4,800…. yep that’s insane. Anywhoo my dress is surprisingly swishy and I feel great in it. It took a lot of brainstorming to figure out the perfect silhouette, pattern placement and order of construction. It was quite nice having a meaty project to work on as I’ve been sewing a lot of quicker things lately but on the flip side there was also a lot on my plate so life suddenly felt very busy. It’s such a happy dress so I’m really pleased I powered through and think it will be nice for future events and holidays.
I know I’m a little bit of a diva when it comes to birthdays but I really just take the chance to see as many people as possible, eat and drink well, find joy in everything and feel grateful for another year! My husband and his family know me so well, I got flowers, gin, my favourite most relaxing White Company candle and a voucher for fabric! And on Saturday my family are taking me for fizz and afternoon tea! Life is grand!!
Oh and surprisingly I won one of the party raffle prizes for a Selkie Patterns pdf of my choice. I’m going to wait to see their exciting new launch and then decide which to get as an extra birthday present!! Thanks for reading. Maybe I’m writing to myself but I still love blogging, sharing my makes and documenting the process.
Hello everyone! I’m keeping up my run of weekly blog posts and it feels so good! Today I’m sharing a dress that I cooked up by mashing a few things together. It’s the perfect 50s style swishy midi dress that makes me feel like Audrey Hepburn in Roman Holiday. I could easily swish around on a Greek island too if needed. Anyone offering a mini break?
So are you curious about my superhack? I started with the Elisalex dress bodice which I’ve made twice before but skipped the sleeves this time. I’m wearing the size 10 with a little bit of excess taken out of the shoulders. Then used Vogue 9000 which I’ve made here, and merged the skirt panels into a front and back rather than seven piece skirt. I’m wearing the size 14 waist and hip. I then adjusted the side seams and centre back edges slightly to make sure they’d match up and chopped an inch off the length.
I’m so happy with the result as it’s modest with the neckline and length, but a little cheeky with the dipped back, AND the skirt has fantastic swish! Seriously good swish. Which is mostly down to the fabric I chose but important to say that being flared rather than circle, there’s limited chance of the skirt blowing up and flashing everyone on a windy day. Result! My invisible zipper went in like a dream (I love my invisible zipper foot to death – if you don’t have one, go get one) and the waist matches nicely! I handsewed the lining to the inside for a change as I normally stitch in the ditch but had some telly to watch while I did it.
I really like wearing dark colours in hot weather as I am always cold and this is a guaranteed way to warm up, but also I think black looks great with a tan. This is of course one of Lisa Comfort’s gorgeous fabric prints. I was very tempted by the first collection which features pastel colours and soft florals. I love Elderflower and the pink colourway would have been perfect for me but I resisted as I hate hate hate ironing and need to limit the amount of cotton dresses I make before I go insane over the wrinkles.
When the crepe collection was released I snapped up the Wild Flower print in black. At 150cm-wide it’s perfectly designed to fit a flared skirt like this without needing to cut on the cross grain but at midi length the pieces are fabric hungry. However the princess seam bodice of the Elisalex dress is a great space saver on a fabric layout. I lined the bodice in black habotai to help as well. In the end I got this dress out of just 1.5m of fabric! SO EFFICIENT!
The poly crepe barely wrinkles, floats like a dream and is totally opaque. Big points for my lifestyle! I’m only slightly bummed that there is a permanent crease in the centre front of the skirt from where the fabric was folded in half before being put on the bolt. I don’t know if this is just my piece, or just the bolt. It could be how the fabric was pressed during transit after printing. I don’t know… but every time I look down I try not to look at the crease line. BUT to end on a more positive note, I can totally recommend the fabric quality, the Elisalex pattern for how well drafted it is and Vogue 9000 as the perfect half shirtdress (eyes peeled for my newest version of this dress in one of the prettiest viscose prints I’ve ever found).
*Just to let you know this post contains affiliate links but products I link are from trusted sellers like The McCall Pattern Co selling through Amazon or Minerva Crafts. There’s no obligation to buy through the link of course. I don’t advertise on my blog so this is a little way to fund the running of the site!
A fresh faced sewing enthusiast called Amy made her first version of Vogue 8469 back in 2013 and said, “oh yes this is lovely I better make it again”. She used £1 a metre polyester she found in Leeds Market and wore it to one of her first sewing meet-ups in London – the epic V&A event.
Flash forward to 2016! The new version is again made out of £1 a metre polyester, but this time from Birmingham Rag market. This amazingly versatile dress has lived in the back of my wardrobe only occaisonally getting worn because I slightly messed up the gathers on one side of the bust, and my zipper installation wasn’t very neat. What I discovered during Me Made May this year, is that it really doesn’t matter! You can’t see either of those things when I wear the dress so I should blumming well get it out the cupboard more often.
This dress is great if you’re a large or small busted lady in comparison to your waist and hip size as you can adjust for your bust easily; simply slash and then add or subtract the space you need and then draw the fabric under the bust neatly.
The skirt is more tulip shaped than you might think, a change from my super flared skirts. It’s still gathered making it easy to fit through the hip. The bodice, waistband and sleeves are lined and I used my trusty tutorial for clean finishing the sleeves into the lining. I skipped the sleeve elastic again as you can see.
The centre sewn zip is what we all learn early on, stitched down each side to secure the zip and create a little flap to cover each side… but this is the hardest zip to achieve a neat finish for me. The zipper always peeps through and the sides aren’t even! The supposedly harder invisible and lapped zippers are much nicer in my book. Am I wrong?
I wear this dress with the bow tied at the front most days but occasionally swing it to the back. It’s a great number to wear with red lipstick and dangly earrings for dinner out, or ballet flats and curly hair for a vintage day look.
It was great to teach myself, just because you messed something up doesn’t mean you can’t still love it. The annoying perfectionist in me shuts up while I wear this so that’s a win right?!
Hello hello! Super happy to be typing up this blog post today. I had a really lovely week with two days at the Sewing For Pleasure show in Birmingham for work and a fab weekend with my two best friends, cake and some much needed shopping. Other exciting news? I photographed three new dresses so have plenty to share over the next few weeks. One of them is a gorgeous little black dress because this month The McCall Pattern Co have launched their new campaign – The Vogue Patterns Cocktail Hour!
You may remember the Vintage Sewalong from last year, which I took part in. Well this year is bigger and better with 26 bloggers making versions of the 20 Vogue patterns from the Cocktail Hour collection.
It’s such a good way to raise money for a fabulous charity. The Eve Appeal is the only UK national charity raising awareness and funding research in the five gynaecological cancers! And a donation from every pattern sold goes to help them continue their great work.
There’s a wonderful introductory post on the Sewdirect blog to help you pick your pattern and we’ve created a special bonus magazine to go with issue 38 of Love Sewing to share our tips and tricks for creating a polished evening look.
As is becoming a bit of a tradition for me, I wanted to make a dress for my Welcome in the supplement so I chose Vogue 8997! See Lizzy’s beautiful version here and for some instagram fun follow @glamagrrl
This fully lined princess seamed dress is a little bit vintage, has some clever design lines with its 8 panels and shaped waist seam and is a great pattern for achieving a beautiful fit. There are separate cup sizes and different length and sleeve options. I made view B in size 10 around the upper body with A-cup bust and graded to a size 12 at the waist.I resisted the urge to shorten the style and it turned out about right for me.
To check everything over I essentially made a toile out of lining basted together with an easy to unpick stitch length (snap included). This meant if I’d nailed the sizing, I was well on my way to having a constructed garment but could still make necessary changes. My key change was moving the bust princess seam over by 1.5cm towards the centre at the bust point as I’m very small chested.
My fabric is a great quality crepe de chine from John Kaldor called “Olivia” that I picked up at Barry’s in Birmingham last year. The floral print is quite large (see the scale below) but I loved the shades of mink and fuchsia in there. The lining is a nude pink polyester that I keep a roll of at home. It’s perfect for blending in with almost any fabric so I recommend buying in bulk to keep in your stash.
The crepe didn’t fray too badly but the lining did so I still overlocked the exposed internal seams. I also used my overlocker to add a baby rolled hem on the crepe which was a fun new trick to try. It’s very subtle on a print like this. Here’s the video tutorial I used for my Singer machine.
Other little details were to add an invisible zip so obviously altered the steps a little to include this style closure. But the rest was super straightforward!
Join the 2017 sewalong by making a version yourself and sharing your make online using the hashtag #sipandsew (remembering to copy in @McCallpatternUK on Twitter or @McCallpatternUK on Instagram). You can also attend different activities throughout the year including in-store events, workshops and special cocktail parties.
BONUS GOOFY PIC!!
So will you be taking part in the Cocktail Hour sewalong? Follow the amazing blogger tour for more inspiration, starting with Winnie of Scruffy Badger Time!