Time for something unusual today… a “pretty fail”. I don’t tend to share garments I’m not happy with on the blog as I probably won’t wear them and the problems aren’t something that others can usually learn from (like bad colour choice or low quality fabric, etc). This time I love the fabric used for this dress so much I’m going to fix it at the weekend to make it more wearable!
This is the Eve dress by Sew Over It. I bought this pattern from Village Haberdashery something like a year and a bit ago as I loved the elegant versions popping up on the internet. I then paused as wrap styles never really suit me due to my extreme difference in proportions. I’m still currently a 36A cup size and 31″ waist with a 44″ hip. I need a really flared wrap skirt to flatter my lower half and need to ensure a close fit at the bust given I don’t have much to fill the top. I made view A which features fluted sleeves and a longer hem length. My fabric is suitable drapey and opaque (always a winning combination in my book) and I love the bold teal colour.
This is a twill fabric from Mandors of Glasgow priced £5.99 and comes in a couple of colours but I couldn’t resist the teal. They sent me the fabric for free in exchange for a review of their service and I was pleased to see my parcel nicely wrapped in tissue paper and sparkly ribbon, and washing/care instructions were included for the fabric. The range and prices on offer were surprising when I started browsing as I’d always assumed Mandors were a small business but with plenty of lovely dressmaking fabric and unique patterns on offer I’d be tempted back again for sure. And as I look at fabric shops for a living I have high standards.
While I adore how swishy the sleeves are I think the combination of longer length and big sleeves are drowning my 5ft4 frame. I have very narrow shoulders and feel like they’re getting lost. The print on the fabric being ditsy does suit me I think as it’s not too overpowering and the bold block of colour makes it an eye-catching dress.
I made a size 8 around the upper bodice, grading to a size 10 waist and then a size 14 hip. Given the wrap style there is a lot of room for adjustment here but I think the bodice is quite loose and prone to moving so I either safety pin it shut or wear a pretty slip underneath. It billows a little at the back too so is quite airy to wear on a hot day (not that they seem to be coming back soon!) The length feels very romantic and looks nice with heels or flat shoes. It just comes back to those darn sleeves.
I tried tucking the sleeves in for a photo (don’t laugh please) and instantly felt unburdened so I’m going to unpick the sleeves and bias face the armholes. I just don’t think I’ll wear it again if I don’t do this, even though I love how vintage 40s the silhouette is.
Isn’t it funny how your brain can picture some garments so clearly in the planning stages to help you match the right fabric to the right pattern and sometimes it can lead you down an odd path…
Time to look at some gorgeous versions of the dress like this “nightie” version by Emilie with some clever observations, Cheryl’s stunning rose print and not forgetting this “too big and too small” dress by Daphne inspired by Boden.
When it’s feeling especially chilly I like to think of Dubai. This was the last step of our honeymoon as Dubai is a great transfer point for the Seychelles. While we were there it was a staggering 41°. Almost too hot to breathe. We were there for two nights and on the second night went out for an amazing birthday meal in Nobu at the Palm hotel where we were staying.
We literally waited until 6pm for it to cool down (it didn’t) then dashed outside to take a couple of pics in the gorgeous courtyard (aka sweaty photos) then ran back inside. It had to be done because the colours and shapes of the building exterior are stunning. I wore my plum skirt with a black vest and cardigan to keep things modest but whipped the cardi off for my photo so not to pass out!
This is another way I wear the skirt, with a polka dot jersey top I made using M6886. More on that another day. The skirt is made of purple Rio crepe from Sew Over It. Its a really vivid shade that always gets noticed. The weight and handle are perfect for a skirt like this. It does wrinkle a little but steams easily.
The skirt is the Simple Sew Sophia skirt made during my first week at Love Sewing to test the pattern. I’ve made the Sophia top from the pattern previously too here. The skirt comes together really quickly, works well in a lot of fabric and the length is easy to adjust.
Now you might wonder why it’s never made an appearance before now… well I only started wearing it this May as part of my challenge to wear unloved clothes during Me Made May! I never thought I was a midi or maxi skirt person. I’m still not sure but I’m warming up to it.
I think it looks better with the vest personally. Though it may be happy honeymoon memories influencing my perspective. Here we are taking a terrible selfie hahah.
Happy heatwave everyone!
So I’m not going to inundate you with pictures of Simplicity 1606… this is my toile version of the ball gown with a fun twist. The pattern is essentially a great little princess seam sundress waiting to happen. So I simply added sundress straps and a gathered skirt to get the look!
The double straps were inspired by the Centaurée by Deer and Doe patterns. The gathered skirt is of course the Emery skirt which you know my feelings on.
Like my ball gown I added boning and an invisible zipper. The boning isn’t necessary at all when you’ve got straps but I like how it stops the bodice from creasing which is a likely occurrence in cotton.
This dress took 1.2m of 60 inch wide fabric which is incredible stash busting as it meant I could use this Alpine print poplin. I’d been searching in vain for a coordinating plain navy until I tried laying out this dress on a hunch. A perfect fit thanks to the princess seam bodice pieces!
This print features skiers, wood lodges and fir trees. It was a cheeky impulse buy from Sew Over It while I was getting the vintage shirtdress pattern a few years back. Note to Future Amy: never buy less than 2m of poplin.
These shoes are the bomb and Next have just listed some similar platforms in red too… my bank balance won’t forgive me hahaha.
Hello hello! Is everyone surviving the week? Are you taking part in Amanda’s awesome #bpsewvember on Instagram? Go on and tag yourself on my IG feed if we’re not a already friends as I’d love to see all your snaps.
I have a fun dress to share today as it’s a Sew Over It pattern love child! I merged the Joan Dress and the Vintage Shirtdress with excellent results.
So in case it’s not obvious, this is the Joan bodice and sleeves without the collar. The team kindly sent me Joan when it was first released as they knew it was right up my alley. I did a really rough toile as I know SOI sizing is consistent across the patterns but in reality I should have possibly done a tiny sba. The sleeve caps are a tiny bit off as well but these are micro points when I skipped all my normal fitting steps.
In case you’re not sick of them, see my shirt dress versions here. The skirt was made by cutting the front on the fold following the centre front line. Then the back was cut in two with 1.5cm centre back seam allowance added. The side seams, darts and skirt pleats lined up almost perfectly! I just basted them together by hand so they wouldn’t slip during sewing.
And how lush is this fabric? It’s Atelier Brunette modal which is sort of like a viscose in that it’s also a cellulose fabric but is produced in slightly different conditions. It’s thicker than normal viscose but not twill like. It’s slightly spongy and as easily creased it gets, it irons smooth with ease. This print is called Facet and I bought it last March during a sale at M is for Make. Look out for the Black Friday sale everyone!! Ps. I love love love my new Clarks shoes. The’re called Hotel Vibe. Yummy.
The bodice is lined with navy polyester from my stash and I used a concealed zip. Life is short and when you have a concealed zipper foot they’re the speediest option.
I wanted to repeat my love for this great blog post on clean lining a sleeved bodice. The technique is amazing… but I really want to make an easier to follow version as it’s really hard to see in these step by step images. To be really clear, this technique creates a clean finish on the inside of your lined bodice around the armholes. All you see is the sleeve seam allowance! Here’s a little vid to show the finish – please ignore the telly playing in the background. Although if you can name the show I’ll be mega impressed.
Fully lined sleeved bodice. This technique is pure magic 💙
So I guess all that’s left to do is force you to look at a terrible dark night time picture of me in the dress heading out for dinner and that’s blatantly because I curled my hair and got dolled up and want to use the picture as many times as possible haha. I’m still on the hunt for a hairdresser who will perm my hair in big rolls like this. The specialist I went to blew me off and told me no one would give me the hair style I’m after. But since then the hair and make up team at work have told me that answer is horse poo and I should try someone else for a second opinion. Fingers crossed on that note. Also it’s scary seeing how going swimming once since the below photo was taken has drained all the hair dye out of my hair. Doh. I’m off to work on my Colette Anise jacket! Bye for now
I can’t help myself with this pattern, plus I have so many more versions planned!
In case it wasn’t obvious, this is the Vintage Shirtdress from Sew Over It aka the Ultimate Shirtdress in my mind. I wanted to try the pattern in viscose this time and felt I knew enough about the pattern to make it work.
This poly viscose is from possibly the man outside Sainsburys… well it’s definitely from Walthamstow market following a very successful shopping trip with a Emmie, Roisin and Lauren. He just wasn’t quite behind sainsbury’s so who knows!? I thought this print was very Hobbs like or maybe Whistles? Nothing proven but it’s fun to dream and I know TMBS often gets end rolls from the high street.
To keep the viscose from slipping all around I spritzed the uncut fabric with spray starch which was a big help during sewing but hasn’t washed out fully so the fabric is still a little stiffer than I like. These shell buttons were from my stash and I have absolutely no clue when from!
The pattern sizing hasn’t changed from versions 1 and 2 so I’m not sure I have much else to say. I hope you forgive me for being brief!
On a plus I think I’m finally getting to grips with my camera settings! I took a few pictures of Chewie Cat and love how they turned out. These were shot on my X30 Fujifilm. It’s a bridge camera so I have the option to adjust my settings or let the camera decide. It’s great for when I’m in front of the camera as it does the hard work but then I get to play when the camera is back in my hands!