Hello again ladies and gents! Hope you’re all enjoying #sewphotohop and fingers crossed you’ve been following my posts throughout September. I’m currently struggling to find time to sew for myself, which is killing me. I have a free afternoon on Sunday and some yummy fabric from So Sew English, so wish me luck!! How about starting the evening with a project review?
Meet my Luzerne trench coat. Do you ever really truly hate a project but keep going?? This is rare for me. I normally stuff UFOs out of sight but I think because I didn’t want to get this jacket too rumpled (hahah this sentence will be extra ironic as you read on) it always stayed in my eye line. I’ve been dipping into it every few months to get it finished. Given that I started this make in May, LAST YEAR, I’m amazed it’s finally done.
So why do I hate it? Let’s get started. The fit of this jacket was really hard to work out for my lifestyle. The amount of ease needed for wearing the trench with a jumper leaves it baggy without one underneath… and I like cardigans which create a hollow at the centre front and lumpy areas at the bust. Having the bust look especially rumpled really grates because I love a great fit in my torso. This is my own fault for trying to sew a relaxed coat when I’m not that kind of dresser. I like fitted clothes so what made me think I’d like a loose fit mac?!
The shape of the collar is also infuriating. It has this weird step that looks out of place to my eye. Its not a stand collar and it’s not a notch collar! What are you!?! Again this is my own issue, you may love this touch. Maybe you never even noticed… it looks so nice on other people’s versions.
Don’t get me wrong… There are a lot of great details. Those lovely pocket edges, the button tabs, curved back yoke, and well fitting sleeves but why oh why didn’t I ignore the pattern and make a longer tie belt!?
I know it’s a nice make but all I see is the creases and fit issues. I’m going to try and wear it more this Autumn with extra layers underneath to see if we can get on.
I used a lovely magenta organic twill from Fabworks which comes in a lot of colours. It’s the perfect weight but has a little bit of stretch which didn’t help my ease issues. And I made metres and metres of bias binding from a scrap piece of Wiltshire Liberty tana lawn. Binding everything takes a loooong time but creates a fun inside.
The pdf pattern arrives in multiple sizes and with separate English instructions – it in fact goes up to a phenomenal plus size range in PDF so bravo to the team. They’re fairly detailed but you may need extra help if you’ve never tried bound buttonholes or sewn a collar before. I made a size 38 without a toile because that is my size in D&D patterns but would definitely size down in future. If you can, buy the paper pattern for this one as it’s a LOT of pages to stick together.
Okay I’ve waffled on enough. For other gorgeous versions from the sewing community check out Sleepless into Bavaria who has made not one but TWO spotty macs, Allie J who clearly got her sizing just right and Stay Junique in her sassy red version.
Hi everyone! Since the weather matches my blogging schedule (sporadic) I thought I’d share a long overdue finished jacket. As some of you will know from my social media posts I have around 40 unblogged makes. Thankfully five of them have been photographed but I still need to find some blogging time which is proving difficult. Let’s crack on then shall we!
If you’ve considered making a jacket as a step into tailoring I heartedly recommend the Colette Patterns Anise Jacket. It has enough new techniques for someone wanting to learn outerwear but not too many that you can get overwhelmed. I in fact made my first version when I was very much an adventurous beginner, in 2013! I copied my favourite blue coat and was pretty chuffed with the results… see my fabulously grainy photo below if you don’t have time to click through. I thought given all those years of experience I’ve managed to accumulate it would be interesting to see how I found the pattern four years later (yep this jacket is a year old people).
Let’s start by saying the sewalong for this jacket is superb. The welt pockets and bound button hole tutorials are excellent and work on many other garments. Probably doesn’t need to be said but welt pockets are super lovely to make but not great for putting your hands in on a bitter English day. The way the back seams curve to match the sleeve seams at the armhole is also my sign of a superior coat. It drives me crazy when they’re close but intentionally not aligned! Also having made several coats since this I realise how special it is to have a separate pattern piece for interfacing the the roll line. The collar is kind of a pain in that it refuses to neatly meet at the centre front due to the way the buttons strain and move. It still comes together pretty nicely and the clean finish you get by hand sewing everything closed at the armholes and hem is very neat inside.
Finding the right interfacing is a mission though and I’m less happy with the boucle version compared to my melton. I was trying to find something that would keep the boucle weave secure but offer the right support and I think I went too stiff. It’s most noticeable to me at the collar where I can feel it sitting slightly unhappily but I think it looks fine. There’s not a lot of help out there for picking interfacing (no magic unicorn saying you must buy this specific weight and brand) because it all depends on your chosen fabric. The only tip I can offer here is that you’re looking to support not harden the fabric or add too much weight. And remember cheap fusible interfacing isn’t built to last and will bubble and unstick itself over time, so if you’re keen to keep your jacket or coat around, invest in the branded stuff!
Let me share two bits of wisdom I learnt from making both coats. Number one – don’t use covered buttons, no matter how confident you are that the wool is safely enclosed inside. Years later, your buttons will pop apart from the strain and embarrass you in front of your peers. Not pretty. Number two – If you’re not a delicate dresser, use a lining with a tiny amount of stretch. I’m not talking a super spandex mix fabric, but just something with a little give. I always pop the armhole seams on my lining by wrestling myself in and out of my jackets without care. The jackets were I’ve used stretch satin have faired much better. Last tidbit – ALWAYS ADD A HANGING LOOP.
My wool was picked up at an excellent open day at Beyond Measure. Grace had sourced small remnants from a Lancashire mill; Offcuts and end bolts, plus colour coordinated bundles. I succumbed to this smooth soft and almost glossy boucle wool with flecks of bright yellow and blue running through. It was £30 for a 1.6m piece, enough for the jacket with nothing to spare! The lining was chosen to match the yellow flecks as good old B&M Fabrics on Kirkgate outside the market. Every time I see it the super flash of gold makes me giddy. Last but not least those fancy polished metal buttons were from Totally Buttons, an excellent online shop.
It’s a great little jacket and fun pattern to follow. I’m also super grateful past-Amy taped together the PDF and worked out all the fit kinks so I could just crack on and sew the new version!! I’m pleased I finally got to share it with you. I’ll try not to wait so long to post again, but while I’m gone maybe have a read of these lovely Anise jackets.