Like many of us, the Covid situation threw me through a loop for a long time. I was home all the time, working from the spare room, I didn’t get out of my pyjamas many days, and barely wore makeup. And crafting? That was non-existent. In a way I’d lost my sense of identity – I wasn’t wearing or making home sewn clothes. But things are slowly starting to get better. It started with house viewings! Yes I had to wear gloves and masks, not touch anything and keep away from the estate agent as a I moved around but I had a reason to get dressed and get out the house. Then I went to an arm knitting blanket workshop at Fabricate.
I’d already seen on social media how dedicated Philippa was being about safety and going to the shop didn’t disappoint; she had socially distant workbenches, it was a zero contact tutorial, hand sanitiser a-plenty and much more. It was liberating to get a taste of what life used to be like but with a new safety-first slant. This week I’m going for a beach side break in a private cottage to celebrate my wedding anniversary and I’m taking one of my prettiest dresses to wear for dinner.
This dress has it’s own story. At the beginning of the year I was contacted by Lindybop about doing a sponsored blog post. I received 3m of fabric and in exchange I was to write a guest blog post and do social media promotion when the dress was ready.
This stunning china blue porcelain print fabric features delicate florals on a spandex cotton base which they called crepe de chine. You can read my earlier comments on how it isn’t really ‘crepe de chine’ on my magpie dress blog post. But before I could write the blog post, Lindybop went into administration. They kindly messaged me and said to keep the fabric and wished me well.
It’s rather sad, but the dress turned out so nicely that I’d like to still share it, even though it’s bittersweet. I made the McCall’s 5969 from Love Sewing mag 65 last year, one of my favourite issues (now out of stock). By merging View D with its modest wrap bodice and long sleeves with View B’s full circle skirt and sash tie, this dress becomes delightfully vintage with the right fabric.
I shared my toile of the bodice on Instagram earlier in the year – thought you’d appreciate the flash of tummy above. A brief reminder of my measurements: 36″ A bust, 33″ waist, 45″ hips. I chose a size 10 in the upper body/bust/armholes, 12 waist and 14 waist/hips. I then slimmed the sleeve width down a little and ultimately, shortened their length. I also moved the bust darts slightly and added 2″ to the skirt hem.
I’m not risking any mishaps with this wrap… There are multiple press stud fasteners used to close the dress at each side seam and the neckline. The sash belt is then purely decorative. The mix of facings and my own use of bias binding for the skirt and sleeve hems feels complementary.
This feels luxurious to wear because of the fabric. Plus it feels well drafted, as that sleeve head is lovely and the bodice has just enough ease for everyday movement without looking saggy. PLUS the swish of the circle skirt is, of course, fabulous. But that means it is also fabric hungry, requiring me to use almost all of my 3m.
Wrap dresses used to make me so upset when I tried them on as everyone said they were universally flattering no matter your shape. But when I tried them on in shops all I saw was this lumpy figure with overemphasised stomach and hips, and no bust. Then I tried the Eve wrap dress with some success. But a wrap dress with a circle skirt? This is glorious for my body shape aka the human butternut squash.