Not just the title of a movie, this Christmas break I also went to the wedding of my best friend and her lovely partner. It was a slightly unusual day in that we started with a 10am ceremony, then went for pie and a pint at a local pub, dashed off to the woods for a game of laser quest and then went to a swanky hotel for the wedding breakfast and evening do.
Yes you heard me right, we did all of this on the 28th of December! It was busy, brisk and lots of fun. And I had the joy of seeing months of work come to life in a different way from my wedding. I not only worked on Becky’s dress, but made my bridesmaid dress and made ties and pocket squares!
First things first, Becky wore an off the shoulder fishtail lace gown. It had an illusion back, fitted silhouette and reasonable size train. It was made half way between Oxford and Leeds as Charly and I joined forces to get the dress made in time. Charly as you may remember is an accomplished bridal seamstress so she took the lead, drafting the pattern, fitting the toile and ordering the supplies.
We had a major cutting out session as a group to get the satin, tulle and lining layers all ready and then constructed the majority of the dress ready to get the lace attached. Charly designed the pattern for the lace placement and over several long sewing sessions we hand appliqued lace into place. Charly added the motifs to the bodice and created the illusion while it was on the mannequin and I made 7 skirt panels that would be added to the skirt later so I could keep the work at home with me.
After a slight mishap breaking with her ankle, Charly wasn’t able to finish the dress so she came home to live me for the last few weeks. I added an elastic waist stay, sewed a bra into the dress, attached the lining and hemmed the layers. Because of the beading, none of the lace could be machine sewed so I did have a slight claw hand by the end of things but it’s an absolutely gorgeous dress, so Charly and I were really proud on the day.
Our bridesmaids dresses were made from different patterns but designed to have a similar feel. I used Threadcount 1610 which you saw on the blog recently and added a three quarter circle skirt using the pattern from my wedding dress! The wine duchess satin was lovely to work with and though I had to cut everything out on the crosswise grain it didn’t reduce the shine that much which I was very pleased with. Becky asked us to channel our inner 50s housewife with pearls and vintage stoles (made by Charly) which I happily embraced.
Ties and pocket squares I’ve made before for Mark and Nickki’s wedding but I forgot how much I HATE POCKET SQUARES. They should be called “little squares of evil”. Never again I say, do you hear me universe?! Luckily I only had to make two pocket squares, plus two grown up ties and two tween-age ties. I adapted my tie pattern to make them roughly 13″ long when tied then made a neckband that finishes with velcro for ease. I mean I learnt how to knot a tie at 12 but only because it was part of my uniform; most young ones don’t learn until much later. Ties are very therapeutic to hand sew closed. You machine sew the short facing pieces to the ends, trim and turn through then press over the edges and hand sew close to the fold. It’s definitely a personal choice on whether to interline the whole tie for more bulk. Last time I did but with the trend for skinny ties these days I decided not to this time.
I’ll leave you with some photos from laser quest. It was certainly different running around the woods in a boiler suit then having to race back to the hotel and get re-ready for a wedding! It all turned out perfectly though.
So on Friday I got married to my favourite bloke in the world. We had unbelievably good weather, exchanged sweet and slightly soppy vows, laughed with all our friends and family, and danced the night away.
It was a joy to wear my handmade dress and see the mix of reactions from people who finally saw it finished as well as people who learnt during the day that I’d made it myself. Made of organza layers over duchesse satin it was floaty, romantic and a dream to wear. I wanted to feel like I’d stepped out of a vintage Dior photo shoot and it really felt that way when I stepped into the ceremony room.
My dress was all finished the week before and packed in a long garment bag, hidden from view. I started working on my frock before Christmas, testing toiles, deciding on Simplicity 1606 as the base, and draping a test dress to see how I could create the bodice effect I wanted. I practiced seam finishes and stitch settings and agonised over fabric choices for each layer.
In April I did the bulk of the work, with the sewing room door firmly shut and my playlist blaring. I redrafted the skirt and just managed to get the pieces on my cutting table. I spent a long time on the bodice and used every single entomology pin I had. Hemming the four skirt layers was extremely stressful and then lining up my lapped zipper nearly pushed me over the edge but as I handstitched my lining into place I knew it was going to be alright.
Everyone said to me on the day they couldn’t imagine what I was making but then they saw the dress it was exactly me, which was music to my ears. I’ll be sharing how I made the dress, tips and resources for future brides, and thoughts on the whole process throughout August. Like this post, a few will go up while I’m away on honeymoon but I’m excited to hear what you think when I’m back. So until then…
Lots of Love
Mrs Scarr xx
So as I alluded to in past posts I intend to sew myself a wedding dress! Some of you may think “she’s mad!?” And some might be giving me a double thumbs up. And basically I’m in the middle, thinking “bwahahah this is so surreal”.
I wanted to share the process on the blog so I always had it to look back on but was relieved to hear that many of you wanted to read about it too.
So I’m going to throw my hands up and confess I’m a terrible decision maker when it comes to big dressmaking projects. It often takes me a long time to settle on fabric and pattern pairings, often changing my mind right up to the last minute. This is amplified when I’m emotionally invested. Not very good for a project where you need a clear plan and a strict time frame!
We’re currently struggling to find a venue for next summer. Apparently we’ve missed the boat for a lot of places which majorly sucks. There is a slim chance we’ll get Sept but it’s touch and go. This means my wedding may be 2018 and I’ll have double the amount of time to pick a dress design!
I clearly jinxed myself and today we’ve lost our chance at getting married in 2017. Sadly now I doubt I’ll do anything towards my wedding dress until this time next year… sorry about that. I won’t delete this post though as it might still be nice reading!
First up let’s get something out of the way… I’m having a short dress. Below knee or tea length. And a big bad ass petticoat floofy skirt. Bodice is still tbc… I have to mull that over. So in the mean time I’ve been examining fabrics. Here are my thoughts:
I’ve seen some beautiful sequin dresses. Light frothy cleverly pieced frocks and embellished designs. Recently I’ve been obsessing over the Jenny Packham Jolene dress which features sequinned (and beaded) star appliques on it. The completely wrong silhouette for me but wow at all the bling. Searching for star shaped appliques stole a day of my life.
I favour dense lace designs (Nottingham, guipure etc), but at the same time I love 3d constructions and beading. Where lace steps into embroidery really gets me excited. Blooms built up with subtle textiles and colours like this dress makes me stop and stare. I also ordered a swatch of some beautiful beaded lace from Bridal Fabrics but I need to go see it in person. I also need to level up my lace handling skills if I go down this route.
There’s always something that pulls me back to tulle dresses. Probably because I know of several suppliers of stunning coloured or polka dot tulle. There’s so much drama you can achieve with tulle and mesh at the same time as looking light as a feather. It takes a lot of effort to look that light though but with stunning results. I want to test this vintage Butterick tulle pattern with tippet style shawl (thanks go to bridesmaid, talented seamstress and wedding dress designer extraordinaire Charlotte for explaining tippets to me).
I have a few appointments to try on dresses to help me pin down the design. That seems crucial to me but not being able to take photos will surely prove problematic. I am working out a rough time line in my head for the construction but think starting the bridesmaid dress toiles may give me a little breathing room for my own decisions!
If you know any short wedding dress companies or vintage dress sources please do drop them in the comments so I can continue pinning my heart out. Thanks for reading and please cross your fingers for me on getting a date!!