It’s finally the #sewrecreatethelook challenge reveal day! The goal is to recreate a look that you admire from RTW, the catwalk, Pinterest, a magazine, etc and share your progress. I’ve technically had my dress finished a couple of weeks but managed to hold off on revealing it. I’ve just been enjoying wearing it in the hot hot heat! Let’s start with a reminder of my inspiration…
This is the Gal Meets Glam Chassity dress. An American influencer I follow started her own line of clothing and ultimately it got too big for her to sustain, had some production issues and she closed the brand. There were some stunning dresses in her line so planning other recreations in the future.
I decided not to use shirting and find a viscose that was similar. This ebay find was close enough. It could have been more blue but the weight and drape were gorgeous. And I quickly settled on adapting McCall’s 8090 Marina as my dress base which came with Love Sewing 95.
I used size S. First up was adjusting the bodice and skirt panel lengths. Marina is drop waist so I took 9cm off the bodice and added it to the top skirt panels. Next I removed the square yoke by folding out the gathering at the centre front and taping the yoke piece directly on top of the bodice piece. Here’s what that looked like.
Switching to raglan sleeves was one thing but these were gathered ruffled raglan sleeves. First I experimented with a sleeveless bodice with a rectangular ruffle sewn on top to give the illusion of a sleeve. I also tried shirring the gathered rows. Ultimately it wasn’t right. The rectangle created a stiff ruffle and the shirring was too unforgiving on top. But I was getting excited…
Second attempt I did things properly. I drafted a proper raglan sleeve for the bodice that would be sewn into the neckband, and then slashed and spread that piece to create excess for gathering. I pinned it into place again on top of my existing toile to save cutting it up / sewing a new one. It was much better but now not long enough for my liking. See below.
Third time was the charm. I added length to my slashed and spread tissue piece then traced onto fresh paper. Then I decided I wanted more gathering so slashed and spread again. Here’s the sleeve before I finally cut it out sat alongside the version 2 tissue.
Then I could commit to the new bodice armholes. You can see below how I marked the seamline and the cutting line on the bodice and then traced a fresh version. I’m also showing you the back for reference. Raglan sleeves are super fun to sew, if you’ve never made them before. FYI I also added notches for the raglan seam points on my neckband so I knew how much to gather the sleeve in to fit!
Construction went pretty fast once I’d assembled the band and collar. All the side seams were French seamed but the gathered skirt band seams were just overlocked to avoid bulk. I did a baby hem on my sleeve pieces before attaching them.
I’m super pleased with the dress. The finished neckline is lovely and feels really polished. For that all important sleeve finish, I kept my gathering stitches in place and stitched on top of them for the appearance of thicker topstitching thread. And I love the varying directions of stripes at play!
Inside I used self fabric bias to finish the armholes, like a facing and a binding at the same time and topstitched it in place from the right side. I slipstitched the bands in place for a clean look. I do like the topstitched neckline of my toile version so might do that on a future version.
The finished dress is breezy and stylish. I have to wear a slip underneath but I’m definitely pro-slips and already had the perfect white one. I love that you can’t tell the lower band is cut in three pieces. The seams are hidden in the stripes and this let’s you get a great gather with the extra width.
Improvements for my next version will be curving the cropped waist seam up as it goes towards the hips as the straight line causes the seam to droop a touch at the sides. And to raise the underarm point as its a touch low, revealing my bra on occasion. But I already have fabric for a new version!! Thanks for reading this long if you stayed to the end.
This is part 3 of my mini series on the Chanel jacket course I attended in March.
Today I’m sharing my progress from day 1 of the course.
I packed up my machine, pattern, fabric, notions and a travel sewing kit and set off to Roundhay!
Gillian the course instructor advised making a toile with at least one sleeve set in and bringing it along for discussion on the first day.
I traced all my pieces rather than cutting as I was sure I’d need to apply some “creative” sizing.
I traced a size 12 at the neck/shoulder/armhole/bust and graded out to a size 14 waist and 16 hip.
What I ended up with was pretty good I think. The shoulder length/armhole needed some adjustment but the fit across the bust waist and hips felt good. For a non-fastening jacket the fronts meet and it doesn’t gape open too much.
Overall I felt it could have been snugger and Gillian agreed. She also helped me remove 3cm length from the sleeve.
She advised that although the toile is an excellent indicator of fit it’s often better to fit the jackets again mid-construction because of the wool behaving differently to calico.
Down to business. First up we cut out fabric and lining pieces, remembering to take into consideration nap, pattern matching and in my case the one way shine of satin. I didn’t use interfacing in the end as my wool had enough stability.
The construction was not as expected. Instead of constructing the outer shell and lining separately and the attaching the two, the corresponding shell and lining pieces were basted together and machine quilted.
This took the majority of the day. We chatted as we went and I made the most of the tips that were shared ready for when I make my second jacket. Here’s a few things I took note of:
- For a truly expensive looking jacket it’s not enough to pattern-match your fabric in the seams and the sleeves, you should also be matching the pockets.
- An inch of seam allowance helps you be safer rather than sorry with expensive fabric.
- Don’t overpress your fabric… in fact barely touch it! Wool is most likely to show marks where you’ve squashed it.
- It’s not worth overlocking your pieces even if they’re fraying like no-one’s business, as you’re just creating bulk at the seams and wool is plenty bulky enough! Just pink the edges if you need to do something.
Sorry it’s taken so long to post this. I’ve just started a new job and also Mr AR has been unwell. More excitement drafted and ready to post in Part 4 about day 2 of my class.