WARNING: This post contains a lot of pointed elbows hahah.
What do you do when you need to make your fifth toile for your wedding dress toile but are sick of wasting muslin? Make an actual dress!
I had a precious 1.5m of this Rifle Paper Co for Cotton + Steel cotton fabric. The print is Bon Voyage from the Les Fleurs collection and has adorable holiday themed items all over with metallic details! I got mine from Miss Matatabi when it was first released along with a the rayon I used for my Anna dress.
Though I bought it before I was even proposed to I never got round to using it. It seemed perfect for my honeymoon to the Seychelles when I looked through my stash later! Tropical flowers, palm trees and cute accessories? Yes please.
I added a gathered Emery skirt (by Christine Haynes) and spaghetti straps. Plus I had enough to self line the bodice and sneak some pockets in there! Theres one of my best ever lapped zippers on the back bodice but turns out even new husbands don’t have the patience to take back shots on honeymoon. These pics were taken on the deck of our hotel in Mahé. After dinner were only 15 steps from the beach.
It turned out awesomely cute and the fit was near perfect so it really did help with my wedding dress progress!I love the sweetheart of this pattern and as long as you clip and notch precisely the curves turn out like a dream. When you have a multi-directional print that is scattered like this, you can really get a great layout for a princess seam dress.
Final thoughts are… If you can get hold of this fabric still I’d totally recommend it, especially the black version as the metallic shows up better. The print saturation and metallic have held up very well to repeated washing and it’s a good quality cotton. To see my other versions of this dress check out the blog tag Simplicity 1606.
Hello everyone. I’m writing this from a corner of my sewing room, slightly frazzled from car issues and too tired to sew. I’m really keen to start wedding related sewing but have had a few silly setbacks.
One of my bridal fabrics has arrived cut into two lengths instead of being kept whole and I’ve lost the pattern number I noted down for my bridesmaids’ dresses. All fixable of course but frustratingly will slow me down. Chewie isn’t impressed.
So to perk myself up I’m sharing a recently finished make. It’s not my first and not my last Anna dress but possibly my most noticeable. When I wear this dress people love to find out if it’s really Rifle Paper Co, ask to stroke the rayon to feel the quality and tell me the colours are wonderful. I happily answer all the comments because I think the quality is fantastic; the shades of blue and coral, the weight and sheen of the weave, and the scale of the design make this a perfect fabric. Go buy some while you can.
If you’ve made something from Rifle Paper Co fabric please link me in the comments!!
In case you’ve been off the grid, the last couple of years have yielded some fabulous fabrics from the collaboration of Rifle Paper Co and Cotton + Steel.
Anna Bond is the creative force behind Rifle Paper Co, a stationery business famed (primarily) for its painterly florals designed by Anna herself.
Cotton + Steel is comprised of the design power houses Melody Miller, Rashida Coleman-Hale, Alexia Abegg, Kim Kight and Sarah Watts who collaborate on fun and unique prints that still coordinate across each range. The bulk of the offering is quilting cotton but lawn, rayon and canvas substrates are also available for certain designs.
The Birch Floral I used is from the Les Fleurs collection which I picked up from Miss Matatabi. Also in my stash is the Painterly Roses rayon from the Wonderland collection. I have 1m to play with which I picked up from Village Haberdashery using my birthday stash points!
Ok so dress nitty gritty time. This is the Anna v-neck bodice and the Emery gathered skirt with 3cm added to the length. I used a 70 needle to avoid snags and the fabric was robust enough not to shift as I worked or get sucked into the feed dogs.
My armholes are finished with blue bias and I used the facings provided. My invisible zip is pretty invisible considering its navy and I took the dress in a little from previous versions as I’ve lost some weight. I try and save this dress for nice occasions as it does noticeably wrinkle after a few hours of wear.
The big thing this dress taught me is that I love wearing primary colours. My red Sumo dress, started that off. So I’ve bought some emerald green tana lawn which I’m excited to sew up. But that better wait until after I get my bridal sewing back on track…
Hey hey everyone. I’m writing this post on the way home from London. It was a gorgeous sunny weekend with good food and lovely people.
Here’s a silly pic taken by Karen where I’m trying to keep my bun out of Roisin’s face UNSUCCESSFULLY!
Tasha was visiting London so I headed down to hang out with her and Marie, Jane, Charlotte, Emmie, Karen and Roisin for a day of fabric shopping and gossiping. Mel joined us for a bit as well, very sweetly carrying Tasha’s bags of treats. Both Tasha and Mel have lovely accents so I really enjoyed listening to them talk and they did a great job of defeating their jetlag. Amazingly I briefly met Gretchen Gertie Hirsch while she was teaching at Raystitch!! She’s utterly gorgeous in real life as if that’s a surprise.
I spent some time mulling over fabric choices for my wedding dress. This Elie Saab style embroidered mesh stole my heart. Ultimately I came home empty handed and still pretty confused about what style I want. But something that I did decide after seeing Emmie, Gretchen and Tasha’s stunning vintage curls is that I reallllly want to get my hair sorted so am looking for a free weekend to book myself in for a new do.
So what about the pjs? I wanted to finally share a picture of the finished set being worn not just laid out flat.
The pattern is McCall’s 6659 (now renamed M5086) which I made once before here. Again this is views C and G. The fabric was a gift from Katy Jones during my first week at Practical. She sits two desks down as editor of Quilt Now but excitingly this is a print from her fabric line with Art Gallery Fabrics!! It’s Sunday clippings on a voile base.
I like how the bird peeks out of the pocket heehee. And the vintage turquoise buttons make me smile. The sleeves would look better a bit shorter or longer I think. I didn’t made any adjustments to the top but I altered the trousers to have a deeper curve in the seat.
Better confess that I topstitched the front closed and now I throw the top on over my head. Never going to wake up with the buttons undone and everything hanging out that way! Everything is overlocked inside and the crotch seam is double stitched for security. Everything staying where it should.
Definitely need to make another set or two! They’re great to sleep in and I feel put together when I wake up. I can retire my slobby worn out tshirts now!
Have you made pjs recently? Share your links!!