19 results found.
19 results found.
Hope you’re all having a good week? I’ve been spending lots of time in my sewing room, getting ready for my first wedding anniversary (as we’re making a weekend of it), and planning for our trip to Paris in September! I’m also looking forward to the Craft New House summer party with it’s Italian Riviera theme. You can see my outfit progress over on Instagram if you’re interested.
Life has this stupid habit of getting in the way of essential sewing doesn’t it. Only joking, life is equally as important if a little less fun than sewing. I know I’m pretty lucky to get so much sewing time so it embarrasses me when I takes me months to finish a make. This dress was started in January.
Inspired by a Joanie dress in a similar print I set about making my own version using the Sew Over It Vintage Shirtdress pattern. Obviously I’ve used that pattern A LOT and I’ve made TOO MANY SHIRTDRESSES for some people! But safe to say it always makes me feel good. It’s not a brilliant match to the Joanie dress but close enough that I could dive straight in.
This stunning Georgette fabric is from So Sew English who are actually in the US. They offered me two fabrics to review and this one screamed out at me. They’re keen for more international sewist to give them a chance and I have to say the fabrics don’t disappoint! It has a lovely crinkle effect on it and is slightly stretchy.
They also have a UK co-op that all have their orders sent to our person, Casey, in the UK. She then distributes and ships to everyone within the UK. It’s significantly cheaper for us to send large boxes with our carrier then to ship domestically within the UK than it is to ship directly to each individual. The UK co-op is here: https://www.facebook.com
I’m fairly confident with piping and enjoyed adding the pop of white to the collar and placket. Originally I was going to add sleeves with piped hems to my shirtdress but once again fell out of love with the drafting of the included sleeve shape. It is just so tall in the cap and makes a weird hill on the top of your shoulder when you move your arm. And I ran out of fabric to try cutting new ones. Instead I piped the armholes. I just wish I’d had enough fabric for a sash belt too.
I added a couple of cm to the side seams as due to some increased cake consumption I’m now a 31.5″ waist, but working on getting that back down a bit so I keep fitting into all my me-mades. And I added 2″ to the hem to have more knee coverage. I really prefer hiding my knees these days. The back shot above makes me look super bootylicious!
For the facings I used leftover organza from my wedding dress as I thought black interfacing would make those areas too opaque. I’m pretty happy with the result. The buttons are from my stash and the piping was from ebay so it was a pretty cost efficient dress.
I hope you liked a peek at my bazillionth shirtdress. Maybe it inspired you to give piping a go! All I keep thinking with these pictures is to get a haircut asap. I stripped another layer of hair dye off before these pics and my ends are super dry and sad looking. You can see more of my #grombre progress here though which is great even if it’s only a peek. You have to catch me in person for the full effect! I’ll leave you with a few of my faves from the So Sew English site!
With 1940s and 50s influences, the Vintage Shirt Dress is a classic that will take you from season to season in style. Effortlessly chic, its feminine cut is flattering for all body shapes and sizes. Just throw this dress on for an instantly put together look and you’re all good to go! The pattern has both a sleeved and sleeveless version as well as endless fabric options, meaning there is tonnes of scope to make this dress your own. Ever versatile, you can even go two tone and make the bodice in one fabric and the skirt in another to give the impression of separates. With modern body sizing and revised shaping, the Vintage Shirt Dress has been updated to give it a contemporary feel, while the sweet notched collar gives it a vintage edge. A fantastic techniques filled pattern, practise creating pleats, sewing a collar, adding facings and stitching buttonholes while you create your dress. The Vintage Shirt Dress UK sizes 8-20 is an intermediate level sewing pattern. We recommend that you’ve made a few fitted garments before, and have experience with pleats and facings. If you’re fairly new to dressmaking the Betty Dress would be a great one to have a go at first, though if you’re feeling determined, as long as you take it step by step we think you can definitely tackle this pattern. The booklet contains full instructions with beautifully illustrated diagrams. You will need: Light to medium weight woven fabrics such as cotton, cotton lawn, seersucker, broderie anglaise, rayon, viscose, crepe and lightweight wools. A lightweight fusible interfacing for the collar and facings. Eight 16mm buttons.
Hello all! I’ve recovered from my extremely busy December and am back with a finished make for myself.
This dress was a rather spontaneous make as I was lucky enough to try on a finished version we had in the office! This meant I quickly worked out the couple of tiny adjustments I’d need to make it fit me. I could then cut out with confidence and whizzed this up in a day. In fact I made the yellow version you’re seeing on the new pattern envelope! We’re now making the designs in UK fabric and reprinting the envelopes. Squeal!!
The pattern is M6891 which is on the front of Love Sewing 63 on sale from tomorrow! It’s double stuffed so you get sizes 8-24 in one envelope and the issue includes tips on collars and cuffs if you haven’t made them before. I love a notched collar and The McCall Pattern Co instructions direct you to make theirs differently to other brands like Simplicity or indie designs.
As normal you position the collar between the facings and shirt neckline, instead of sewing over the seam allowance they ask you to push it out of the way and stop at the seam point marked by a dot, then sew on the other side in the same way. Here’s a diagram to explain a bit more:
This reduces bulk as it means you can grade the seams and trim a bit more freely as the seam allowance isn’t trapped… But this technique seems more beneficial on thicker fabrics like coats really. Unless I’ve missed another reason for this technique.
It’s not a surprise I like this pattern, as retro style shirtdresses are a big proportion of my wardrobe. They’re both smart and casual – perfect! I made view C and love the full skirt. The darts give a nice shape and of course the notched collar has a lovely vintage feel. It needs a reverse button/hole at the waist point for extra security but I can add that any time.
Now of course the Ultimate Shirtdress which is my favourite shirtdress pattern but in truth I’ve never got on with the sleeves. On the McCall’s design the sleeves fit great so maybe I need to try and merge the armscye and sleeve of this pattern with the Sew Over It pattern in the future.
I made the size 10. The bust fits my 36a-cup really nicely so no SBA here. I just adjusted the waist at the side seams to fit my 32″ tummy and the wide flare of the skirt is very roomy on my hips.
You might be wondering about the fabric… well to that I say, “Sewing friends are awesome”. They are especially great at birthday time because they think like a sewist when getting you a present and remember what things you say you like! This gorgeous Robert Kaufman spotty chambray was a gift from the darling Marie! Creative mind behind blog www.astitchingodyssey.com, Marie is such a lovely soul so I highly recommend you follow her inspiring blog/social media accounts and if you run into her at an event you’re guaranteed to leave smiling.
If you clicked into my shirtdress tag you’ll see I now have two spotty Robert Kaufman chambray dresses. Well I actually have a third UFO of Vogue 1102 cut out in the black colourway but I messed up some of the pintucks and have been putting off fixing it for months. Maybe 2019 is the year you’ll see that dress appear.
I’m currently trying to plan some sewing for the coming year. There are some lovely fabrics that have been in my stash for way too long. I’d really like to fix that and not be afraid of making the wrong thing anymore. I have my dressmakers ballgown to make too. Will I see you there?
Hello everyone! I’m keeping up my run of weekly blog posts and it feels so good! Today I’m sharing a dress that I cooked up by mashing a few things together. It’s the perfect 50s style swishy midi dress that makes me feel like Audrey Hepburn in Roman Holiday. I could easily swish around on a Greek island too if needed. Anyone offering a mini break?
So are you curious about my superhack? I started with the Elisalex dress bodice which I’ve made twice before but skipped the sleeves this time. I’m wearing the size 10 with a little bit of excess taken out of the shoulders. Then used Vogue 9000 which I’ve made here, and merged the skirt panels into a front and back rather than seven piece skirt. I’m wearing the size 14 waist and hip. I then adjusted the side seams and centre back edges slightly to make sure they’d match up and chopped an inch off the length.
I’m so happy with the result as it’s modest with the neckline and length, but a little cheeky with the dipped back, AND the skirt has fantastic swish! Seriously good swish. Which is mostly down to the fabric I chose but important to say that being flared rather than circle, there’s limited chance of the skirt blowing up and flashing everyone on a windy day. Result! My invisible zipper went in like a dream (I love my invisible zipper foot to death – if you don’t have one, go get one) and the waist matches nicely! I handsewed the lining to the inside for a change as I normally stitch in the ditch but had some telly to watch while I did it.
I really like wearing dark colours in hot weather as I am always cold and this is a guaranteed way to warm up, but also I think black looks great with a tan. This is of course one of Lisa Comfort’s gorgeous fabric prints. I was very tempted by the first collection which features pastel colours and soft florals. I love Elderflower and the pink colourway would have been perfect for me but I resisted as I hate hate hate ironing and need to limit the amount of cotton dresses I make before I go insane over the wrinkles.
When the crepe collection was released I snapped up the Wild Flower print in black. At 150cm-wide it’s perfectly designed to fit a flared skirt like this without needing to cut on the cross grain but at midi length the pieces are fabric hungry. However the princess seam bodice of the Elisalex dress is a great space saver on a fabric layout. I lined the bodice in black habotai to help as well. In the end I got this dress out of just 1.5m of fabric! SO EFFICIENT!
The poly crepe barely wrinkles, floats like a dream and is totally opaque. Big points for my lifestyle! I’m only slightly bummed that there is a permanent crease in the centre front of the skirt from where the fabric was folded in half before being put on the bolt. I don’t know if this is just my piece, or just the bolt. It could be how the fabric was pressed during transit after printing. I don’t know… but every time I look down I try not to look at the crease line. BUT to end on a more positive note, I can totally recommend the fabric quality, the Elisalex pattern for how well drafted it is and Vogue 9000 as the perfect half shirtdress (eyes peeled for my newest version of this dress in one of the prettiest viscose prints I’ve ever found).
*Just to let you know this post contains affiliate links but products I link are from trusted sellers like The McCall Pattern Co selling through Amazon or Minerva Crafts. There’s no obligation to buy through the link of course. I don’t advertise on my blog so this is a little way to fund the running of the site!
Happy heatwave everyone!
So I’m not going to inundate you with pictures of Simplicity 1606… this is my toile version of the ball gown with a fun twist. The pattern is essentially a great little princess seam sundress waiting to happen. So I simply added sundress straps and a gathered skirt to get the look!
The double straps were inspired by the Centaurée by Deer and Doe patterns. The gathered skirt is of course the Emery skirt which you know my feelings on.
Like my ball gown I added boning and an invisible zipper. The boning isn’t necessary at all when you’ve got straps but I like how it stops the bodice from creasing which is a likely occurrence in cotton.
This dress took 1.2m of 60 inch wide fabric which is incredible stash busting as it meant I could use this Alpine print poplin. I’d been searching in vain for a coordinating plain navy until I tried laying out this dress on a hunch. A perfect fit thanks to the princess seam bodice pieces!
This print features skiers, wood lodges and fir trees. It was a cheeky impulse buy from Sew Over It while I was getting the vintage shirtdress pattern a few years back. Note to Future Amy: never buy less than 2m of poplin.
These shoes are the bomb and Next have just listed some similar platforms in red too… my bank balance won’t forgive me hahaha.