Hello everyone! I’m keeping up my run of weekly blog posts and it feels so good! Today I’m sharing a dress that I cooked up by mashing a few things together. It’s the perfect 50s style swishy midi dress that makes me feel like Audrey Hepburn in Roman Holiday. I could easily swish around on a Greek island too if needed. Anyone offering a mini break?
So are you curious about my superhack? I started with the Elisalex dress bodice which I’ve made twice before but skipped the sleeves this time. I’m wearing the size 10 with a little bit of excess taken out of the shoulders. Then used Vogue 9000 which I’ve made here, and merged the skirt panels into a front and back rather than seven piece skirt. I’m wearing the size 14 waist and hip. I then adjusted the side seams and centre back edges slightly to make sure they’d match up and chopped an inch off the length.
I’m so happy with the result as it’s modest with the neckline and length, but a little cheeky with the dipped back, AND the skirt has fantastic swish! Seriously good swish. Which is mostly down to the fabric I chose but important to say that being flared rather than circle, there’s limited chance of the skirt blowing up and flashing everyone on a windy day. Result! My invisible zipper went in like a dream (I love my invisible zipper foot to death – if you don’t have one, go get one) and the waist matches nicely! I handsewed the lining to the inside for a change as I normally stitch in the ditch but had some telly to watch while I did it.
I really like wearing dark colours in hot weather as I am always cold and this is a guaranteed way to warm up, but also I think black looks great with a tan. This is of course one of Lisa Comfort’s gorgeous fabric prints. I was very tempted by the first collection which features pastel colours and soft florals. I love Elderflower and the pink colourway would have been perfect for me but I resisted as I hate hate hate ironing and need to limit the amount of cotton dresses I make before I go insane over the wrinkles.
When the crepe collection was released I snapped up the Wild Flower print in black. At 150cm-wide it’s perfectly designed to fit a flared skirt like this without needing to cut on the cross grain but at midi length the pieces are fabric hungry. However the princess seam bodice of the Elisalex dress is a great space saver on a fabric layout. I lined the bodice in black habotai to help as well. In the end I got this dress out of just 1.5m of fabric! SO EFFICIENT!
The poly crepe barely wrinkles, floats like a dream and is totally opaque. Big points for my lifestyle! I’m only slightly bummed that there is a permanent crease in the centre front of the skirt from where the fabric was folded in half before being put on the bolt. I don’t know if this is just my piece, or just the bolt. It could be how the fabric was pressed during transit after printing. I don’t know… but every time I look down I try not to look at the crease line. BUT to end on a more positive note, I can totally recommend the fabric quality, the Elisalex pattern for how well drafted it is and Vogue 9000 as the perfect half shirtdress (eyes peeled for my newest version of this dress in one of the prettiest viscose prints I’ve ever found).
*Just to let you know this post contains affiliate links but products I link are from trusted sellers like The McCall Pattern Co selling through Amazon or Minerva Crafts. There’s no obligation to buy through the link of course. I don’t advertise on my blog so this is a little way to fund the running of the site!
Wow I can’t believe my turn on the Vintage Sew-along blogger tour has come around. I hope you like what I have to share. (Sadly I’m back to taking my own pictures. Sorry about that. And the weather was awful so I had to take the pics inside. Extra sorry about that.)
So I became very interested when I saw V9000. It made me think about my version of V1044, probably because of the grown on sleeves. It went on the shortlist (thinking, well surely I’ll be swayed into making one of the other patterns) but I kept coming back to that lovely flat collar and full panelled skirt.
In all honesty I don’t think fully buttoned shirts suit me. I have a very short neck and when I’ve tried them before I just feel claustrophobic. So I thought a high buttoned FLAT collar could be the answer.
As you can tell I rounded the pattern pieces using a French curve and trimmed some height of the rest of the collar (probably too much) to create something a little reminiscent of Marilyn Monroe’s outfit here. I wanted to go for classic black and white but resisted for a pop of colour.
The panelled skirt is great for narrow fabrics while still achieving that full skirted effect and comes together so easily.
In terms of sizing the bodice is a size 8 at the shoulders a 10 around the body and a 14 around the waist. I didn’t adjust the length of the bodice or skirt amazingly. As a shorty I normally reduce the length of skirts as a rule but I really like the length of this dress. It fits fantastically when I wear the right bra – aka not the one from these pics. Isn’t it amazing how much of a difference that makes!
This John Kaldor microfibre is medium weight, glossy and a bit stretchy (like cotton sateen) with the drape of polyester. This print is called Ursula in burgundy and the fabric is from Sew Essential, priced £10.56 per metre.
The fabric print is large and abstract enough to avoid print matching. I think it looks like a papercut in a way. Or a hamsa tattoo?
Then I used plain black polyester from my stash for the collar and the self covered buttons, with a red invisible zip and red thread (almost all of my habby supplies were from Sew Essential in fact). I used some bias binding from my stash to hem the skirt.
Is it just me that overlooked how many awesome John Kaldor prints they have? OMG – I’m going back for some of those other floral and painterly prints. And it’s nice to pick up everything you need for a project in one place.
SO would you make this dress? Or have any of the other patterns from the BVSA Edit caught your fancy? I’d love to know.
Please take a look at the Edit on the Vintage Sewalong site because a proportion of proceeds from the pattern sales are going to a fantastic charity, The Eve Appeal as the work they’re doing into gynaecological cancer detection, education and prevention will surely resonate with the predominantly female sewing community.
Keep looking out for Sew-along posts because there are a lot of talented bloggers still to come and I can’t wait to see their makes. Here’s my moody shot to finish hehehe.
Hello all! As I write it’s a cold but bright Friday here in Yorkshire. I have plans to celebrate my anniversary this weekend (delayed since the summer, thanks Covid) and hosting a live stream sewalong on Instagram this Sunday for Simplicity. I’m making a S9240 sweatshirt live!! I need to ease myself back into live videos again! They were always so fun but moderately stressful. So let’s hope this one goes off without issues.
Now onto today’s make. Returning to a pattern sewn years ago can inspire you to do things differently the next time around. I have made Vogue 9000 before but always knew I would revisit it, as I love the grown-on sleeves and full panelled skirt. This design also features a flat collar and buttoned bodice that is finished with a front facing and a strip of bias binding at the back neckline. The dress also fastens with an underarm side seam zipper for a neat fit.
When I first made the dress in 2016 I sewed it in a luscious red John Kaldor microfibre. It was medium weight, glossy and a little stretchy (like cotton sateen) with the drape of polyester. I rounded off the corners of the contrast black collar and used black self-covered buttons on the front fastenings. It was a beautiful formal dress I wore to several events including a Christmas dinner dance.
For my latest version I wanted to use an Ecovera viscose – a sustainable method of producing viscose that follows stringent guidelines to ensure eco-responsibility. The viscose was from Rainbow Fabrics in London who specialise in deadstock and overstock fabric from fashion houses which is a nice way to avoid waste and make your sewing more sustainable. In this pretty, confetti-heart print, the dress is lighter weight and easier to wear than the John Kaldor version which is just what I hoped. I can wear it in Summer with sandals, and Winter with brogues and tights.
Once again, I decided to round off the collar points but this time also extend the collar so it finished right at the front edges. This was due to the fact I would very rarely wear the neckline fully buttoned. Also the notch where the collar meets the facing isn’t very pronounced if worn open. A seamless transition into the collar seemed to be worth pursuing. It reminds me of a sporty polo collar now. I’m pretty pleased with the finished look.
Choosing viscose for this pattern does introduce a few more considerations. I didn’t line the dress so I’ll wear a slip underneath when wearing tights. A sharp fine needle and pins are vital to avoid snagging the fabric, and a dab of fray check on the button holes provides extra security. The most important thing to remember is to allow your skirt hem to drop for at least 24hours after attaching to the bodice. As it is a full skirt, there are areas on the bias that will naturally stretch out. Once the fabric has dropped you can then recut the hem so that it is level before finishing. I use a vintage Newey chalk hem marker that allows you to puff a line of chalk at a set height as you rotate in your garment.
I wholeheartedly recommend Vogue 9000. The panelled skirt is great for narrow fabrics while still achieving a flowing full skirt. I love the double darts in the back for even shaping, and like how the front bodice darts extend into the skirt panel seams. It’s a beautiful vintage pattern where you can create a dress that is a true reproduction of the era, or add a modern spin on the silhouette with an updated fabric choice.
Hello happy people! I’m in a great mood because this post is going out on my birthday!! I never work on my birthday and always try to do something fun. As it’s a Thursday this year I also took the Friday off so it’s double the fun! Today I had a trip to the spa with a back and head massage and a foot massage. Then I ate my favourite skillet pancakes for lunch in the sun of Mill Kitchen’s outdoor seating. I’ve come back super chilled! And there’s time for a bit of sewing before we head out to dinner!
In other news I finished my dress for the New Craft House Riviera party and had a wonderful time on the night. There were so many familiar faces to catch up with plus some ladies I follow on Instagram but had never spoken to. There was Aperol spritzes and the biscuit fairy Claire was making sure we had regular snacks. I managed to get in a couple of photos with my darling Marie but in my usual style failed at getting a proper outfit shot. I AM THE WORST when I get chatting and forget all about photos.
So this week I managed to get a few photos at the studio with the lovely Renata this week so I’m not leaving it for ages to share my finished dress. I love the overall look and paired my lemon earrings and blue belt with the dress to pick up the colours in the fabric.
This embroidered mesh was pretty damn difficult to work with. The ‘squares’ are actually slight rectangles and they’re a huge 6″ tall which I didn’t think was actually that flattering when cut on the grain as it chops your body up in weird directions. It has no stretch and of course needed lining. Here’s the fabric if you’re tempted.
With all this in mind I decided to cut everything out on the bias! This left me with much less fabric to work with. I used Vogue 9000‘s hacked skirt from this dress and shortened it another 2″. I then cut both the front and back on the fold.
For the bodice I could only manage to cut the front on the fold and used my old Vogue 1102 (made so many times with too many tweaks to count) as I could hide the waist darts inside a tile without it looking too obvious. The back bodice had to be cut with a centre back seam but think it looks okay.
This all meant I needed a side zipper and to figure out the opacity. The bodice is underlined and then the two layers treated as one for construction and the raw edges finished with nude bias tape. The skirts were assembled separately and joined along the waist seam and zipper position. Below the zipper the skirts hang free and both layers were finished with an overlocked rolled hem. To finish I hand picked a side lapped zipper to make sure nothing would catch in the teeth and the stitching would be as invisible as possible.
If you didnt know this fabric was used in Dolce and Gabbana’s Majolica collection. This dress above sold for £4,800…. yep that’s insane. Anywhoo my dress is surprisingly swishy and I feel great in it. It took a lot of brainstorming to figure out the perfect silhouette, pattern placement and order of construction. It was quite nice having a meaty project to work on as I’ve been sewing a lot of quicker things lately but on the flip side there was also a lot on my plate so life suddenly felt very busy. It’s such a happy dress so I’m really pleased I powered through and think it will be nice for future events and holidays.
I know I’m a little bit of a diva when it comes to birthdays but I really just take the chance to see as many people as possible, eat and drink well, find joy in everything and feel grateful for another year! My husband and his family know me so well, I got flowers, gin, my favourite most relaxing White Company candle and a voucher for fabric! And on Saturday my family are taking me for fizz and afternoon tea! Life is grand!!
Oh and surprisingly I won one of the party raffle prizes for a Selkie Patterns pdf of my choice. I’m going to wait to see their exciting new launch and then decide which to get as an extra birthday present!! Thanks for reading. Maybe I’m writing to myself but I still love blogging, sharing my makes and documenting the process.