5 results found.
5 results found.
Happy heatwave everyone!
So I’m not going to inundate you with pictures of Simplicity 1606… this is my toile version of the ball gown with a fun twist. The pattern is essentially a great little princess seam sundress waiting to happen. So I simply added sundress straps and a gathered skirt to get the look!
The double straps were inspired by the Centaurée by Deer and Doe patterns. The gathered skirt is of course the Emery skirt which you know my feelings on.
Like my ball gown I added boning and an invisible zipper. The boning isn’t necessary at all when you’ve got straps but I like how it stops the bodice from creasing which is a likely occurrence in cotton.
This dress took 1.2m of 60 inch wide fabric which is incredible stash busting as it meant I could use this Alpine print poplin. I’d been searching in vain for a coordinating plain navy until I tried laying out this dress on a hunch. A perfect fit thanks to the princess seam bodice pieces!
This print features skiers, wood lodges and fir trees. It was a cheeky impulse buy from Sew Over It while I was getting the vintage shirtdress pattern a few years back. Note to Future Amy: never buy less than 2m of poplin.
These shoes are the bomb and Next have just listed some similar platforms in red too… my bank balance won’t forgive me hahaha.
A bit later than planned I wanted to share some pics from The Dressmaker’s Ball!
In case you missed it this was the event that took place on May 14th at Leicester’s City Rooms. Organised by the fab team at Crafty Sew and Sew we were treated to an evening of dinner and dancing. It was fab!! Here’s me and Sarah, one half of the organising team.
We had a complimentary drink in arrival, access to a glittery photo booth, buffet dinner and live music from Gabby Young. I had the honour of being part of the judging panel for the optional competition. I was joined by Elisalex, Marie, Elle and Becky on the panel. It was incredibly hard picking winners from all the amazing garments on display. I loved how everyone dressed to the nines for the night.
I wore a version of Simplicity 1606, an amazing fit pattern I picked up last year. Its a great little versatile pattern and I’ve already made a hundred from it since the ball.
My fabric was a medium-weight polyester satin in a sort of crystallized print from Abakhan Moyston. 3m came to about £20 but with a 15% off voucher this dress pretty much came to £17!
Of couse I added pockets. I used a concealed zip and boning from my stash. Plus grosgrain ribbon I had as a waist stay.
The fit was near perfect I think but I should have added more boning to stop the bodice sagging I think. The waist stay keeps it in place but it’s not as rigid as it could be.
I actually hid my waist stay inside the garment, having it emerge through buttonholes added to the lining before construction. To finish I hand sewed hot pink braid to the circle skirt to keep the drama and added a petticoat for extra floofiness.
It was such a lovely night and I got to chat to so many sewists! Gabby entertained us with her gorgeous vocals and Marie was an excellent hostess! (I even got to meet Charlotte and the bunnies).
I’ll leave you with a few more pics of the evening to enjoy. Maybe I’ll see you there if it’s repeated next year? Thanks so much to Freya and Sarah for xreati g this wonderful event.
I thought I’d share a quick peek of my test dress that shows how different my finished dress turned out.
I ordered the yellow colourway of the rose organza specifically for the test (So I’d get the effect but wouldn’t be too precious about the fabric… we’ll touch on prices in another blog post), plus used white duchesse satin underneath and white chiffon on top. On this test the under bodice is Simplicity 1606 and the skirt is a full circle I drafted myself. The rose was mounted onto the satin then the front and back princess seams of the bodices were constructed. Each skirt was assembled at the side seams but the layers were kept separate to allow swish.
Having never really tried draping before I first tried working flat, laying the bodice on my worktop. On the front I placed the pleats turned upwards, about 3/4″ wide and quite spread apart. On the back the pleats faced downwards. I then joined the side seams and attached to all three of the skirts.
It was a really revealing test. The white satin and chiffon was too bright and the pleating made me look very flat chested. The upwards pleats were definitely more flattering but they needed more curves and to be placed closer together. The full circle skirt was great for twirling but I thought it should sit flatter on my tummy. And you could barely see the print so I needed to find something more sheer to go on top. I have a little of the yellow rose organza left so it’ll be lovely to make something from in the future. (Though it’s not as nice as the pink).
I resolved to sit and think through the construction order more carefully and figure out if I could drape the bodice in one go rather than joining the side seams. Plus I had to work out how to install a zip into three layers of fabric!
In my next meaty post I’ll share the major part of the construction plus some videos of me making the dress.
So on Friday I got married to my favourite bloke in the world. We had unbelievably good weather, exchanged sweet and slightly soppy vows, laughed with all our friends and family, and danced the night away.
It was a joy to wear my handmade dress and see the mix of reactions from people who finally saw it finished as well as people who learnt during the day that I’d made it myself. Made of organza layers over duchesse satin it was floaty, romantic and a dream to wear. I wanted to feel like I’d stepped out of a vintage Dior photo shoot and it really felt that way when I stepped into the ceremony room.
My dress was all finished the week before and packed in a long garment bag, hidden from view. I started working on my frock before Christmas, testing toiles, deciding on Simplicity 1606 as the base, and draping a test dress to see how I could create the bodice effect I wanted. I practiced seam finishes and stitch settings and agonised over fabric choices for each layer.
In April I did the bulk of the work, with the sewing room door firmly shut and my playlist blaring. I redrafted the skirt and just managed to get the pieces on my cutting table. I spent a long time on the bodice and used every single entomology pin I had. Hemming the four skirt layers was extremely stressful and then lining up my lapped zipper nearly pushed me over the edge but as I handstitched my lining into place I knew it was going to be alright.
Everyone said to me on the day they couldn’t imagine what I was making but then they saw the dress it was exactly me, which was music to my ears. I’ll be sharing how I made the dress, tips and resources for future brides, and thoughts on the whole process throughout August. Like this post, a few will go up while I’m away on honeymoon but I’m excited to hear what you think when I’m back. So until then…
Lots of Love
Mrs Scarr xx
Hello everyone! Things are returning back to normal and I’m pleased I’ve had time to write blog posts here and there. I’ve got to write up about my honeymoon wardrobe but maybe that will be a fun activity when the inevitable crap weather arrives. It’s already gone pretty chilly so I’m trying to plan winter garments (something I’m rubbish at). I also made sure to sign myself up to the 2019 Dressmaker’s Ball! It was such a blast last time, I had to get in on the fun again! Will I see you there?
So what am I sharing today? I made another version of the Sutton blouse by True Bias. Again, without the centre front seam and self made bias binding for that lovely inside finish.
I think this will be my last but I’m still happy with how this great little scrap buster turned out. The shoulder yoke means you can get the pattern out of short length of 60″ wide fabric, because the front and back bodices are much shorter. I wore this top a lot on honeymoon as it was breezy but still pretty, but it’s important (for me) to wear a camsiole underneath where possible as one lean over and you can see everything down the front. Ooh la la!
Polyester like this watercolour print, can be prone to snag so I always use a sharp needle around size 70. Static cling will always be a risk, but that camsiole top underneath will help with that too. French seams are great for the yoke seams but those pesky side splits and drop hem mean overlocking and pressing open your seams is needed. That lower hem is great bum coverage though!
I love the colours in this 100% polyester print; teal, brick and blush. It’s from Croft Mill and is slightly sheer but with a good handle and weight. It didn’t shrink in the wash and I took care not to put a hot iron near it, using a pressing cloth where needed. Staystitching that neckline is a must by the way, as it’s quite open and would surely stretch out just by looking at it wrong if you didn’t haha.
If I look a little delirious in these photos, they were taken at the end of a crazily long shoot day with what felt like a thousand props to pack away at the end of the day. Some days all I want to do after photoshoots is get in the bath, then get my jammies on and then go straight to sleep. I think I need to build up my stamina!