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Happy swans Vogue 1102

Hello everyone! This post is going up while I’m away in France. I thought a little blogging would keep me distracted in the run up to the wedding so I scheduled a few posts. I’m sure the wedding was [insert a phrase here]. Hehe just kidding. I won’t try and guess but I’m hoping it was sunny and merry and full of dancing.

almond rock vogue 1102 v1102 art gallery fabrics canvas dress

This Art Gallery Fabrics organic canvas print was a stash points splurge from Village Haberdashery two years ago. Yes I’m afraid this dress has been finished quite a while. The print is quite large but very fun and the canvas is just on the cusp of being unmanageable for dressmaking with its weight and lack of drape. It’s from the Hello Ollie collection and is called Swanlings Bevy in colour “Nightfall”. There’s still some left here!

almond rock vogue 1102 v1102 art gallery fabrics canvas dress

This is Vogue 1102. You thought I was done with this pattern? Well THINK AGAIN! I needed to find a style that would work with the canvas and the structured bodice was a great fit. The skirt is perhaps a little bulky but it flares out in a really pleasing way while being worn that I don’t care if it’s unflattering from another person’s viewpoint.

almond rock vogue 1102 v1102 art gallery fabrics canvas dress

As you may remember I drafted a higher back bodice and this let’s me wear a bra (essential) but still keeps that glorious exposure at the back. That sounds a bit ruder than I intended doesn’t it! I think the finish at the top of the zipper is so neat given the bulky canvas used. Trimming the top of the zipper is key and not being afraid to trim a lot of the tape. I also lengthened the empire line so it sits at the waist which works better with the gathered skirt. I think this is my last un-blogged version of this dress now! Or should I say… for now!

almond rock vogue 1102 v1102 art gallery fabrics canvas dress

I originally photographed this dress on the garden while I had my glorious perm. Look how happy I look even in this screen preview. Hair of my dreams!! Then when the perm was ruined, I fell out of love with the photos… So sad. Renata came to my rescue with a few snaps in the studio though.

almond rock vogue 1102 v1102 art gallery fabrics canvas dress

Don’t worry about this being a scheduled post, I’d still love to hear your comments on the post or over on social media. I honestly don’t mind if people read the post here and go over to Instagram to send me a message because the conversation is still going, just in a different location! Chat to you soon xx

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McCall’s 6891 chambray shirtdress

Hello all! I’ve recovered from my extremely busy December and am back with a finished make for myself.

This dress was a rather spontaneous make as I was lucky enough to try on a finished version we had in the office! This meant I quickly worked out the couple of tiny adjustments I’d need to make it fit me. I could then cut out with confidence and whizzed this up in a day. In fact I made the yellow version you’re seeing on the new pattern envelope! We’re now making the designs in UK fabric and reprinting the envelopes. Squeal!!

The pattern is M6891 which is on the front of Love Sewing 63 on sale from tomorrow! It’s double stuffed so you get sizes 8-24 in one envelope and the issue includes tips on collars and cuffs if you haven’t made them before. I love a notched collar and The McCall Pattern Co instructions direct you to make theirs differently to other brands like Simplicity or indie designs.

As normal you position the collar between the facings and shirt neckline, instead of sewing over the seam allowance they ask you to push it out of the way and stop at the seam point marked by a dot, then sew on the other side in the same way. Here’s a diagram to explain a bit more:

This reduces bulk as it means you can grade the seams and trim a bit more freely as the seam allowance isn’t trapped… But this technique seems more beneficial on thicker fabrics like coats really. Unless I’ve missed another reason for this technique.

It’s not a surprise I like this pattern, as retro style shirtdresses are a big proportion of my wardrobe. They’re both smart and casual – perfect! I made view C and love the full skirt. The darts give a nice shape and of course the notched collar has a lovely vintage feel. It needs a reverse button/hole at the waist point for extra security but I can add that any time.

Now of course the Ultimate Shirtdress which is my favourite shirtdress pattern but in truth I’ve never got on with the sleeves. On the McCall’s design the sleeves fit great so maybe I need to try and merge the armscye and sleeve of this pattern with the Sew Over It pattern in the future.

I made the size 10. The bust fits my 36a-cup really nicely so no SBA here. I just adjusted the waist at the side seams to fit my 32″ tummy and the wide flare of the skirt is very roomy on my hips.

You might be wondering about the fabric… well to that I say, “Sewing friends are awesome”. They are especially great at birthday time because they think like a sewist when getting you a present and remember what things you say you like! This gorgeous Robert Kaufman spotty chambray was a gift from the darling Marie! Creative mind behind blog www.astitchingodyssey.com, Marie is such a lovely soul so I highly recommend you follow her inspiring blog/social media accounts and if you run into her at an event you’re guaranteed to leave smiling.

If you clicked into my shirtdress tag you’ll see I now have two spotty Robert Kaufman chambray dresses. Well I actually have a third UFO of Vogue 1102 cut out in the black colourway but I messed up some of the pintucks and have been putting off fixing it for months. Maybe 2019 is the year you’ll see that dress appear.

I’m currently trying to plan some sewing for the coming year. There are some lovely fabrics that have been in my stash for way too long. I’d really like to fix that and not be afraid of making the wrong thing anymore. I have my dressmakers ballgown to make too. Will I see you there?

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New York New York

So if you follow me on social media you’ll have seen a few of my pics of New York where my partner and I had a fun mini break during March.

I thought I’d give a little rundown of the stitchy highlights in case you were interested!
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So the day my issue went to the printers I fled the office and whizzed down to London. In publishing this is generally the best time to take a holiday. This was my second visit to New York but my first since taking up sewing.

We flew from Heathrow and landed in NYC Thursday lunchtime. It was fantastic weather! Totally unseasonal, it was 24° so I got changed into a dress and strolled around Central Park in the sun.
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We stayed in the Empire Hotel (yes the Chuck Bass hotel) which was only a short walk from the park. And a quick stroll up to the statue of the garment worker and also button and needle statue.

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Friday was a special day because I got to visit the McCall’s head office and have a tour. The team was wonderful and explained how they work which had quite a few similarities to my office though on a bigger scale. I’m going to run a piece on the team in the magazine soon. I wore my Liberty wildflowers Vogue 1102 dress in honour of the day.
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The office is decorated with wonderful illustrations and sewing ephemera and mannequins of all sizes fill the corners. Obviously I can’t reveal too much as I was able to see some upcoming collections that need to stay secret for the time being. But seeing pattern draping in action was a thrill.

After that we went to the World Trade Centre and memorial which was incredible moving and emotional. Plus we walked over the Brooklyn Bridge just before sunset.

Saturday and Sunday involved lot more touristy trips using our City Passes to hit every major landmark/museum/gallery. Plus we got to see Mathilde on Broadway which was fantastic!
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I was so excited about Monday I barely slept. This was the day I met up with Karen, Sonja, Charlotte and Emma Jayne! Plus Peter joined us for a little bit too which was fantastic. The only bad thing was the rain! We headed to the garment district visiting Mood fabrics first. Its pretty overwhelming as bolts are stacked so high you have to either know what you’re after or rummage. Swatch is uber adorable though!
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In a bid to avoid panicking I decided to look for cotton eyelet as it’s so rare in the UK. And once I’d picked some out I looked over the scuba. I bought two lengths, enough for dresses and stopped there.
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After that we braved Elliott Berman and were again overwhelmed with choice. Technically they sell wholesale but they don’t mind selling small lengths in the shop. I chose some silly galloping horses/llamas on viscose (Karen bought the same print in a different colourway on jersey). Plus some viscose challis from France in a stunning floral design. Its so light and cool to the touch. I’m in love.
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Next we went to an amazing notions place and I found a perfect complimentary colour zip for my eyelet. Emma Jayne found the perfect colour metal zip for her coat project too! Winning!! They also had cool things like corduroy bias binding and colourful gadgets

Surprisingly this took a lot of time and we called it a day at that! Charlotte and I picked up our other halves and the four of us had an awesome pizza lunch then headed out to the ice hockey as a group later that night! It was a pretty epic game in fact and we all got free bobbleheads to bring home hahah.

Tuesday was our last day and we tried to fit in the final touristy bits including present shopping and one last dash into Mood. I picked this silk that is so pretty in person. It has embroidered small blooms as well as the large watercolour flowers. It was labelled “famous designer silk”. That’s a bit weird when they name everyone else but hey whatever.
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So there you go! They were my sewing related highlights. Sorry I don’t have a super specific garment district guide for you, I just really wanted to go to Mood having seen it so many times on Project Runway hehehe.

It was really great to hang out with such lovely people and even better that all my purchases fit in my suitcase home!

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Wildflowers

So I’m back again with another V1102 hack and this time I’m not going to apologise about showing another variation on the same thing because I LOVE THIS DRESS.

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For those new to my blog, this is the AKO for Vogue dress pattern I made at the John Lewis sewing bee but lengthened the bodice, raised the back and put with a gathered skirt!

This is version 5 I think… yes I’ve lost count. But it’s such a staple dress for me and I’m super happy with the fit. I might just raise the waist back up a smidge as I think it’s more flattering just above my natural waist.

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Point of note are:

(1) This stunning wild flower print Liberty tana lawn in in colourway A. (Note to self for next time: Underline and line bodice for stability if you use lawn again. I don’t like those wrinkles at the back.) By the way… Did you see they’re putting a similar print on a Limited Edition sewing machine out in Sept?!

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(2) I added pockets!! Need I say more. (Secret smug face!)

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(3) The gathered skirt is the full width of the fabric so it is extra swooshy.

This fabric was a 30th birthday present from Jimi but it’s taken me a year to cut into it.

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Fittingly I wore it to this year’s birthday dinner at Crafthouse in Leeds (sadly no crafts occur there).

I ate a scrumptious risotto and slurped a few delicious glasses of wine before being presented with my spectacular birthday cake. Even though my mum makes custom order cakes for a living, I did not expect this magnificent beast! Inside each layer is a different colour of the rainbow.

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It was a most excellent birthday, that mostly revolved around food, and I was very thankful to be gifted Liberty print trainers, fabric vouchers and theatre tickets for The Curious Incident with the Dog in the Night-time next week (I cannot wait!!)

Bonus cat pic for you all now!

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Dressmaker’s Delight

Hello everyone!
Hope you’ve had a good weekend. I didn’t do any sewing which was a shame but after my recent sewing binge I still have plenty to share with you.

almond rock dressmaking vogue 1102 myfabricsA little while ago I was contacted by My Fabrics and asked if I would like to review some fabric. I confess they weren’t a company I was familiar with! But I soon fell down the rabbit hole looking at their website and I do like a good online shop.

almond rock dressmaking vogue 1102 myfabrics

I spoke to a wonderfully helpful man and chose this ace dressmaking print full of vintage sewing ephemera like thread spools, scissors, pincushions and buttons.

The fabric comes in three colourways but I thought this pink was the most charming.

almond rock dressmaking vogue 1102 myfabrics

The dress is my favourite Vogue 1102 bodice with a gathered skirt, which makes this a great little versatile dress I can wear to work, out with friends and on the occasional date night!

I lined the dress in pale pink anti-static lining and used a regular zip. I love that low back.

almond rock dressmaking vogue 1102 myfabrics

 So a bit more about the fabric and company! This is a mid-weight cotton and 140cm wide (note how all the composition details are listed on the site?). It’s a little stiffer than regular poplin but suitable for dressmaking, home furnishing or bags. The fabric print quality is pretty good, the only thing that’s a little blurry is the detail on the sewing pattern but it’s only noticeable up close.

It would make a sweet little pair of curtains for a sewing room wouldn’t it.

These are some of the other fabrics I’m currently lusting after. a) sneaker print jersey, b) flamingo tapestry fabric, c) star print stretch demin and d) palm leaf print viscose.

almond rock dressmaking vogue 1102 myfabrics

I’m pretty impressed with the range of prints My Fabrics has. I love it when I see new prints that I haven’t seen ten times before in other fabric shops. Perhaps it’s because they’re international, and have access to different and interesting fabrics. Either way it makes it very tempting to put in an order!

So is My Fabrics new to you?

Are you a flamingo fan like me? Maybe you’re crushing on the printed denim.

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